acrylic
Pigment recipe
89% when dryWet mix
#F5CAAB
- 1. Titanium White (PW6)94%
- 2. Cadmium Red (PR108)3%
- 3. Burnt Sienna (PBr7)3%
Dry-down
Dries slightly darker and a touch warmer.
How to mix
Real pigment ratios for peach (#F3C6A5) in acrylic, oil and watercolor. The recipes below come straight from Chromilla’s mixer, calibrated to real manufacturer paint data.
To mix peach (#F3C6A5) in acrylic (oil and watercolor are compared below), use 94% Titanium White, 3% Cadmium Red and 3% Burnt Sienna. Chromilla's model predicts an 89% dry match against the target, scored against its own color model, not a measured paint-out. Chromilla is a web-based paint color mixer that turns any color, from a photo, the camera or a hex code, into exact paint-tube ratios for acrylic, oil and watercolor, using Kubelka-Munk pigment mixing and aiming at the color after it dries.
| Medium | Tubes and parts | Predicted dry match | Drying |
|---|---|---|---|
| Acrylic | 94% Titanium White, 3% Cadmium Red and 3% Burnt Sienna | 89% | Dries slightly darker and a touch warmer. |
| Oil | 94% Titanium White, 3% Cadmium Red and 3% Burnt Sienna | 97% | Dries true to color. |
| Watercolor | 94% Titanium White, 3% Cadmium Red and 3% Burnt Sienna | 90% | Dries slightly darker and a touch cooler. |
How we calculated this: Kubelka-Munk pigment mixing, then a per-medium dry shift, scored with CIEDE2000. Method and accuracy benchmark. Last checked August 2026.
Terms used here: Dry shift, Value, Kubelka-Munk, Delta E (dE2000), Transparency, Pigment code, Tint.
Target color
Peach
#F3C6A5
Live mixer
The Chromilla mixer is pre-loaded with #F3C6A5. Change your brand, medium or palette and the recipe updates instantly.
Checked August 2026
Generic pigment ratios, the same ones the Chromilla mixer solves for. Open the mixer to swap in your own brand and tubes.
acrylic
Wet mix
#F5CAAB
Dry-down
Dries slightly darker and a touch warmer.
oil
Wet mix
#F5CAAB
Dry-down
Dries true to color.
watercolour
Wet mix
#F5CAAB
Dry-down
Dries slightly darker and a touch cooler.
Peach is a warm, very light coral, and treating it as 'orange plus a lot of white' usually turns it chalky. A better route is a small amount of warm red-orange with white and a touch of yellow, added in that order, so the undertone stays warm instead of drifting pink. If your peach keeps reading as pink rather than peach, you likely need more yellow, not less red.
Straight-to-the-ratio versions of peach in each medium, from the Chromilla mix library.
| Paint | Pigment | Share | 100 ml batch |
|---|---|---|---|
| Titanium White | PW6 | 94% | 94 ml |
| Cadmium Red | PR108 | 3% | 3 ml |
| Burnt Sienna | PBr7 | 3% | 3 ml |
Each variation is its own target (lighter and darker move OKLCH lightness by 0.08; warmer and cooler turn the hue 12 degrees toward red or blue), solved fresh.
#FFE5D2
Not a confident recipe: the closest mix is 97% Titanium White and 3% Burnt Umber, and chromilla's model predicts a 78% dry match against the target, scored against its own color model, not a measured paint-out.
#D8AD8C
84% Titanium White, 13% Burnt Umber and 3% Cadmium Red. Chromilla's model predicts an 88% dry match against the target, scored against its own color model, not a measured paint-out.
#F7C3AB
91% Titanium White, 5% Cadmium Red and 4% Yellow Ochre. Chromilla's model predicts an 87% dry match against the target, scored against its own color model, not a measured paint-out.
#F7C3AB
91% Titanium White, 5% Cadmium Red and 4% Yellow Ochre. Chromilla's model predicts an 87% dry match against the target, scored against its own color model, not a measured paint-out.
More colours to try once you have peach sorted.