acrylic
Pigment recipe
89% when dryWet mix
#F7937B
- 1. Titanium White (PW6)80%
- 2. Cadmium Red (PR108)20%
Dry-down
Dries slightly darker and a touch warmer.
How to mix
Real pigment ratios for salmon (#F0937D) in acrylic, oil and watercolor. The recipes below come straight from Chromilla’s mixer, calibrated to real manufacturer paint data.
To mix salmon (#F0937D) in acrylic (oil and watercolor are compared below), use 4 parts Titanium White to 1 part Cadmium Red. Chromilla's model predicts an 89% dry match against the target, scored against its own color model, not a measured paint-out. Chromilla is a web-based paint color mixer that turns any color, from a photo, the camera or a hex code, into exact paint-tube ratios for acrylic, oil and watercolor, using Kubelka-Munk pigment mixing and aiming at the color after it dries.
| Medium | Tubes and parts | Predicted dry match | Drying |
|---|---|---|---|
| Acrylic | 4 parts Titanium White to 1 part Cadmium Red | 89% | Dries slightly darker and a touch warmer. |
| Oil | 4 parts Titanium White to 1 part Cadmium Red | 97% | Dries true to color. |
| Watercolor | 4 parts Titanium White to 1 part Cadmium Red | 91% | Dries slightly darker and a touch cooler. |
How we calculated this: Kubelka-Munk pigment mixing, then a per-medium dry shift, scored with CIEDE2000. Method and accuracy benchmark. Last checked August 2026.
Terms used here: Dry shift, Value, Kubelka-Munk, Delta E (dE2000), Transparency, Pigment code, Tint.
Target color
Salmon
#F0937D
Live mixer
The Chromilla mixer is pre-loaded with #F0937D. Change your brand, medium or palette and the recipe updates instantly.
Checked August 2026
Generic pigment ratios, the same ones the Chromilla mixer solves for. Open the mixer to swap in your own brand and tubes.
acrylic
Wet mix
#F7937B
Dry-down
Dries slightly darker and a touch warmer.
oil
Wet mix
#F7937B
Dry-down
Dries true to color.
watercolour
Wet mix
#F7937B
Dry-down
Dries slightly darker and a touch cooler.
Salmon sits between pink and coral, warmer than pink but softer than coral, and small shifts in red-to-yellow ratio move it firmly into either neighbor. A red with a touch of yellow, lightened with white last, tends to hold the balance better than starting from orange and adding red. If your salmon reads as pink, add a touch more yellow before adding more red.
Straight-to-the-ratio versions of salmon in each medium, from the Chromilla mix library.
| Paint | Pigment | Parts | Share | 100 ml batch |
|---|---|---|---|---|
| Titanium White | PW6 | 4 | 80% | 80 ml |
| Cadmium Red | PR108 | 1 | 20% | 20 ml |
Each variation is its own target (lighter and darker move OKLCH lightness by 0.08; warmer and cooler turn the hue 12 degrees toward red or blue), solved fresh.
#FEB4A1
Not a confident recipe: the closest mix is 10 parts Titanium White to 1 part Cadmium Red, and chromilla's model predicts an 84% dry match against the target, scored against its own color model, not a measured paint-out.
#D57A65
61% Titanium White, 30% Cadmium Red and 9% Viridian Green. Chromilla's model predicts an 88% dry match against the target, scored against its own color model, not a measured paint-out.
#F19284
82% Titanium White, 14% Cadmium Red and 4% Alizarin Crimson. Chromilla's model predicts an 88% dry match against the target, scored against its own color model, not a measured paint-out.
#F1908D
7 parts Titanium White, 3 parts Yellow Ochre and 1 part Alizarin Crimson. Chromilla's model predicts an 85% dry match against the target, scored against its own color model, not a measured paint-out.
More colours to try once you have salmon sorted.