acrylic
Pigment recipe
88% when dryWet mix
#F67E66
- 1. Titanium White (PW6)69%
- 2. Cadmium Red (PR108)31%
Dry-down
Dries slightly darker and a touch warmer.
How to mix
Real pigment ratios for coral (#F0806A) in acrylic, oil and watercolor. The recipes below come straight from Chromilla’s mixer, calibrated to real manufacturer paint data.
To mix coral (#F0806A) in acrylic (oil and watercolor are compared below), use 7 parts Titanium White to 3 parts Cadmium Red. Chromilla's model predicts an 88% dry match against the target, scored against its own color model, not a measured paint-out. Chromilla is a web-based paint color mixer that turns any color, from a photo, the camera or a hex code, into exact paint-tube ratios for acrylic, oil and watercolor, using Kubelka-Munk pigment mixing and aiming at the color after it dries.
| Medium | Tubes and parts | Predicted dry match | Drying |
|---|---|---|---|
| Acrylic | 7 parts Titanium White to 3 parts Cadmium Red | 88% | Dries slightly darker and a touch warmer. |
| Oil | 7 parts Titanium White to 3 parts Cadmium Red | 97% | Dries true to color. |
| Watercolor | 7 parts Titanium White to 3 parts Cadmium Red | 90% | Dries slightly darker and a touch cooler. |
How we calculated this: Kubelka-Munk pigment mixing, then a per-medium dry shift, scored with CIEDE2000. Method and accuracy benchmark. Last checked August 2026.
Terms used here: Dry shift, Value, Kubelka-Munk, Delta E (dE2000), Transparency, Pigment code, Tint.
Target color
Coral
#F0806A
Live mixer
The Chromilla mixer is pre-loaded with #F0806A. Change your brand, medium or palette and the recipe updates instantly.
Checked August 2026
Generic pigment ratios, the same ones the Chromilla mixer solves for. Open the mixer to swap in your own brand and tubes.
acrylic
Wet mix
#F67E66
Dry-down
Dries slightly darker and a touch warmer.
oil
Wet mix
#F67E66
Dry-down
Dries true to color.
watercolour
Wet mix
#F67E66
Dry-down
Dries slightly darker and a touch cooler.
Coral sits in the narrow band between pink and orange, so a small shift in your red-to-yellow ratio decides whether you land on salmon, coral, or plain orange. Adding white too early to lighten the mix is the most common misstep, since it flattens the color before the hue is settled; get the hue right at full strength first, then lighten last. Watercolorists should mix stronger than they think they need, since coral dries noticeably lighter once the water lifts.
Straight-to-the-ratio versions of coral in each medium, from the Chromilla mix library.
| Paint | Pigment | Parts | Share | 100 ml batch |
|---|---|---|---|---|
| Titanium White | PW6 | 7 | 69% | 69 ml |
| Cadmium Red | PR108 | 3 | 31% | 31 ml |
Each variation is its own target (lighter and darker move OKLCH lightness by 0.08; warmer and cooler turn the hue 12 degrees toward red or blue), solved fresh.
#FDA390
Not a confident recipe: the closest mix is 6 parts Titanium White to 1 part Cadmium Red, and chromilla's model predicts an 84% dry match against the target, scored against its own color model, not a measured paint-out.
#D46752
5 parts Titanium White, 3 parts Burnt Sienna and 2 parts Alizarin Crimson. Chromilla's model predicts an 89% dry match against the target, scored against its own color model, not a measured paint-out.
#F07F70
72% Titanium White, 23% Cadmium Red and 5% Alizarin Crimson. Chromilla's model predicts an 87% dry match against the target, scored against its own color model, not a measured paint-out.
#F07D7F
6 parts Titanium White, 1 part Cadmium Red and 1 part Alizarin Crimson. Chromilla's model predicts an 86% dry match against the target, scored against its own color model, not a measured paint-out.
More colours to try once you have coral sorted.