acrylic
Pigment recipe
88% when dryWet mix
#F8F5DD
- 1. Titanium White (PW6)97%
- 2. Yellow Ochre (PY43)3%
Dry-down
Dries slightly darker and a touch warmer.
How to mix
Real pigment ratios for cream (#F5EAD6) in acrylic, oil and watercolor. The recipes below come straight from Chromilla’s mixer, calibrated to real manufacturer paint data.
To mix cream (#F5EAD6) in acrylic (oil and watercolor are compared below), use 97% Titanium White and 3% Yellow Ochre. Chromilla's model predicts an 88% dry match against the target, scored against its own color model, not a measured paint-out. Chromilla is a web-based paint color mixer that turns any color, from a photo, the camera or a hex code, into exact paint-tube ratios for acrylic, oil and watercolor, using Kubelka-Munk pigment mixing and aiming at the color after it dries.
| Medium | Tubes and parts | Predicted dry match | Drying |
|---|---|---|---|
| Acrylic | 97% Titanium White and 3% Yellow Ochre | 88% | Dries slightly darker and a touch warmer. |
| Oil | 97% Titanium White and 3% Yellow Ochre | 88% | Dries true to color. |
| Watercolor | 97% Titanium White and 3% Yellow Ochre | 88% | Dries slightly darker and a touch cooler. |
How we calculated this: Kubelka-Munk pigment mixing, then a per-medium dry shift, scored with CIEDE2000. Method and accuracy benchmark. Last checked August 2026.
Terms used here: Dry shift, Value, Kubelka-Munk, Delta E (dE2000), Transparency, Pigment code, Tint.
Target color
Cream
#F5EAD6
Live mixer
The Chromilla mixer is pre-loaded with #F5EAD6. Change your brand, medium or palette and the recipe updates instantly.
Checked August 2026
Generic pigment ratios, the same ones the Chromilla mixer solves for. Open the mixer to swap in your own brand and tubes.
acrylic
Wet mix
#F8F5DD
Dry-down
Dries slightly darker and a touch warmer.
oil
Wet mix
#F8F5DD
Dry-down
Dries true to color.
watercolour
Wet mix
#F8F5DD
Dry-down
Dries slightly darker and a touch cooler.
Cream is white with the faintest amount of warm yellow, and the mistake is adding too much yellow too fast, which tips it into pale gold instead of cream. Add yellow a fraction of a percent at a time against a white base and stop the moment it stops looking like plain white. Cream should read as barely-there warmth, not a color in its own right.
Straight-to-the-ratio versions of cream in each medium, from the Chromilla mix library.
| Paint | Pigment | Share | 100 ml batch |
|---|---|---|---|
| Titanium White | PW6 | 97% | 97 ml |
| Yellow Ochre | PY43 | 3% | 3 ml |
Each variation is its own target (lighter and darker move OKLCH lightness by 0.08; warmer and cooler turn the hue 12 degrees toward red or blue), solved fresh.
#FFF8EA
Not a confident recipe: the closest mix is 97% Titanium White and 3% Yellow Ochre, and chromilla's model predicts an 81% dry match against the target, scored against its own color model, not a measured paint-out.
#DBD0BC
93% Titanium White, 4% Burnt Umber and 3% Viridian Green. Chromilla's model predicts an 89% dry match against the target, scored against its own color model, not a measured paint-out.
#F8E9D7
Not a confident recipe: the closest mix is 97% Titanium White and 3% Burnt Umber, and chromilla's model predicts a 79% dry match against the target, scored against its own color model, not a measured paint-out.
#F8E9D7
Not a confident recipe: the closest mix is 97% Titanium White and 3% Burnt Umber, and chromilla's model predicts a 79% dry match against the target, scored against its own color model, not a measured paint-out.
More colours to try once you have cream sorted.