acrylic
Pigment recipe
86% when dryWet mix
#F8F5DD
- 1. Titanium White (PW6)97%
- 2. Yellow Ochre (PY43)3%
Dry-down
Dries slightly darker and a touch warmer.
How to mix
Real pigment ratios for ivory (#F5F0E1) in acrylic, oil and watercolor. The recipes below come straight from Chromilla’s mixer, calibrated to real manufacturer paint data.
To mix ivory (#F5F0E1) in acrylic (oil and watercolor are compared below), use 97% Titanium White and 3% Yellow Ochre. Chromilla's model predicts an 86% dry match against the target, scored against its own color model, not a measured paint-out. Chromilla is a web-based paint color mixer that turns any color, from a photo, the camera or a hex code, into exact paint-tube ratios for acrylic, oil and watercolor, using Kubelka-Munk pigment mixing and aiming at the color after it dries.
| Medium | Tubes and parts | Predicted dry match | Drying |
|---|---|---|---|
| Acrylic | 97% Titanium White and 3% Yellow Ochre | 86% | Dries slightly darker and a touch warmer. |
| Oil | 97% Titanium White and 3% Yellow Ochre | 91% | Dries true to color. |
| Watercolor | 97% Titanium White and 3% Yellow Ochre | 89% | Dries slightly darker and a touch cooler. |
How we calculated this: Kubelka-Munk pigment mixing, then a per-medium dry shift, scored with CIEDE2000. Method and accuracy benchmark. Last checked August 2026.
Terms used here: Dry shift, Value, Kubelka-Munk, Delta E (dE2000), Transparency, Pigment code, Tint.
Target color
Ivory
#F5F0E1
Live mixer
The Chromilla mixer is pre-loaded with #F5F0E1. Change your brand, medium or palette and the recipe updates instantly.
Checked August 2026
Generic pigment ratios, the same ones the Chromilla mixer solves for. Open the mixer to swap in your own brand and tubes.
acrylic
Wet mix
#F8F5DD
Dry-down
Dries slightly darker and a touch warmer.
oil
Wet mix
#F8F5DD
Dry-down
Dries true to color.
watercolour
Wet mix
#F8F5DD
Dry-down
Dries slightly darker and a touch cooler.
Ivory is white with the barest hint of warm yellow, cooler and paler than cream, and the two get mixed up constantly. The difference is proportion: ivory wants less yellow than cream, and a titanium white base rather than a zinc white keeps it from turning translucent. If your ivory looks more like cream, you've likely added more yellow than the name calls for.
Straight-to-the-ratio versions of ivory in each medium, from the Chromilla mix library.
| Paint | Pigment | Share | 100 ml batch |
|---|---|---|---|
| Titanium White | PW6 | 97% | 97 ml |
| Yellow Ochre | PY43 | 3% | 3 ml |
Each variation is its own target (lighter and darker move OKLCH lightness by 0.08; warmer and cooler turn the hue 12 degrees toward red or blue), solved fresh.
#FDF8E9
Not a confident recipe: the closest mix is 97% Titanium White and 3% Yellow Ochre, and chromilla's model predicts an 83% dry match against the target, scored against its own color model, not a measured paint-out.
#DBD6C7
92% Titanium White, 5% Viridian Green and 3% Burnt Umber. Chromilla's model predicts an 87% dry match against the target, scored against its own color model, not a measured paint-out.
#F8EFE1
Not a confident recipe: the closest mix is 97% Titanium White and 3% Yellow Ochre, and chromilla's model predicts an 84% dry match against the target, scored against its own color model, not a measured paint-out.
#F2F1E2
97% Titanium White and 3% Yellow Ochre. Chromilla's model predicts an 86% dry match against the target, scored against its own color model, not a measured paint-out.
More colours to try once you have ivory sorted.