Lighter Peach
#FFE5D2
Not a confident recipe: the closest mix is 97% Titanium White and 3% Burnt Umber, and chromilla's model predicts a 78% dry match against the target, scored against its own color model, not a measured paint-out.
To mix peach (#F3C6A5) in acrylic, use 94% Titanium White, 3% Cadmium Red and 3% Burnt Sienna. Chromilla's model predicts an 89% dry match against the target, scored against its own color model, not a measured paint-out. Chromilla is a web-based paint color mixer that turns any color, from a photo, the camera or a hex code, into exact paint-tube ratios for acrylic, oil and watercolor, using Kubelka-Munk pigment mixing and aiming at the color after it dries.
Target
Peach
#F3C6A5
Predicted dry result
89% match when dryMix to #F5CAAB while wet. It dries to about #E0B698.
| Paint | Pigment | Share | 100 ml batch |
|---|---|---|---|
| Titanium White | PW6 | 94% | 94 ml |
| Cadmium Red | PR108 | 3% | 3 ml |
| Burnt Sienna | PBr7 | 3% | 3 ml |
How we calculated this: Kubelka-Munk pigment mixing, then a per-medium dry shift, scored with CIEDE2000. Method and accuracy benchmark. Last checked August 2026.
Terms used here: Tinting strength, Dry shift, Kubelka-Munk, Delta E (dE2000), Pigment code, Gamut.
A warm, pale peach. This guide gives you the pigment ratios that land on #F3C6A5 in acrylic, using the same solver that powers the Chromilla mixer.
Checked August 2026
Ratios calibrated for acrylic. Start with the dominant pigment, add the modifiers in the order below, and adjust in 5% steps to your target swatch.
1. Titanium White
PW6
2. Cadmium Red
PR108
3. Burnt Sienna
PBr7
Titanium White, Cadmium Red, and Burnt Sienna, in roughly a 94:3:3 ratio.
Start with Titanium White at about 94% as your acrylic base, then work in Cadmium Red and Burnt Sienna in the order above. Adjust in 5% steps until the swatch reads #F3C6A5.
Mixing Peach yourself lets you approximate an expensive or hard to find tube from pigments you already own, match Peach across paint brands whose factory tubes differ, and rebuild the exact color when you run out mid painting. The recipe above is the working starting point.
White cools and chalks a mix as you add it, so tint in small steps and stop before it goes pastel.
Each variation is its own target (lighter and darker move OKLCH lightness by 0.08; warmer and cooler turn the hue 12 degrees toward red or blue), solved fresh.
#FFE5D2
Not a confident recipe: the closest mix is 97% Titanium White and 3% Burnt Umber, and chromilla's model predicts a 78% dry match against the target, scored against its own color model, not a measured paint-out.
#D8AD8C
84% Titanium White, 13% Burnt Umber and 3% Cadmium Red. Chromilla's model predicts an 88% dry match against the target, scored against its own color model, not a measured paint-out.
#F7C3AB
91% Titanium White, 5% Cadmium Red and 4% Yellow Ochre. Chromilla's model predicts an 87% dry match against the target, scored against its own color model, not a measured paint-out.
#F7C3AB
91% Titanium White, 5% Cadmium Red and 4% Yellow Ochre. Chromilla's model predicts an 87% dry match against the target, scored against its own color model, not a measured paint-out.
Compare acrylic, oil and watercolor for peach
Open the live mixer with Peach + acrylic pre-loaded and calibrate to your tubes.
Deep-dive guide
Common mistakes, per-brand recipes, and the honest limits when the target sits outside what real paint can reach.
Read the guidePigment mixing is subtractive, so small ratio changes matter. The mixer refines this recipe to your brand and updates on the fly.