Lighter Lemon Yellow
#FFFBCF
Not a confident recipe: the closest mix is 10 parts Titanium White to 1 part Yellow Ochre, and chromilla's model predicts an 81% dry match against the target, scored against its own color model, not a measured paint-out.
To mix lemon yellow (#F4E44A) in acrylic, use 5 parts Titanium White, 2 parts Yellow Ochre and 2 parts Cadmium Yellow. Chromilla's model predicts an 87% dry match against the target, scored against its own color model, not a measured paint-out. Chromilla is a web-based paint color mixer that turns any color, from a photo, the camera or a hex code, into exact paint-tube ratios for acrylic, oil and watercolor, using Kubelka-Munk pigment mixing and aiming at the color after it dries.
Target
Lemon Yellow
#F4E44A
Predicted dry result
87% match when dryMix to #F3E44A while wet. It dries to about #DECD41.
| Paint | Pigment | Parts | Share | 100 ml batch |
|---|---|---|---|---|
| Titanium White | PW6 | 5 | 57% | 57 ml |
| Yellow Ochre | PY43 | 2 | 22% | 22 ml |
| Cadmium Yellow | PY35 | 2 | 21% | 21 ml |
How we calculated this: Kubelka-Munk pigment mixing, then a per-medium dry shift, scored with CIEDE2000. Method and accuracy benchmark. Last checked August 2026.
Terms used here: Tinting strength, Dry shift, Kubelka-Munk, Delta E (dE2000), Pigment code, Gamut.
A cool, greenish yellow. The cleanest way to mix vivid greens. This guide gives you the pigment ratios that land on #F4E44A in acrylic, using the same solver that powers the Chromilla mixer.
Checked August 2026
Ratios calibrated for acrylic. Start with the dominant pigment, add the modifiers in the order below, and adjust in 5% steps to your target swatch.
1. Titanium White
PW6
2. Yellow Ochre
PY43
3. Cadmium Yellow
PY35
Titanium White, Yellow Ochre, and Cadmium Yellow, in roughly a 57:22:21 ratio.
Start with Titanium White at about 57% as your acrylic base, then work in Yellow Ochre and Cadmium Yellow in the order above. Adjust in 5% steps until the swatch reads #F4E44A.
Mixing Lemon Yellow yourself lets you approximate an expensive or hard to find tube from pigments you already own, match Lemon Yellow across paint brands whose factory tubes differ, and rebuild the exact color when you run out mid painting. The recipe above is the working starting point.
White cools and chalks a mix as you add it, so tint in small steps and stop before it goes pastel.
Each variation is its own target (lighter and darker move OKLCH lightness by 0.08; warmer and cooler turn the hue 12 degrees toward red or blue), solved fresh.
#FFFBCF
Not a confident recipe: the closest mix is 10 parts Titanium White to 1 part Yellow Ochre, and chromilla's model predicts an 81% dry match against the target, scored against its own color model, not a measured paint-out.
#DACA22
56% Cadmium Yellow, 36% Titanium White and 8% Raw Umber. Chromilla's model predicts an 88% dry match against the target, scored against its own color model, not a measured paint-out.
#FDDD7F
Not a confident recipe: the closest mix is 86% Titanium White, 9% Burnt Sienna and 5% Cadmium Yellow, and chromilla's model predicts an 82% dry match against the target, scored against its own color model, not a measured paint-out.
#DCED5C
10 parts Titanium White, 2 parts Cadmium Yellow and 1 part Viridian Green. Chromilla's model predicts an 87% dry match against the target, scored against its own color model, not a measured paint-out.
Open the live mixer with Lemon Yellow + acrylic pre-loaded and calibrate to your tubes.
Pigment mixing is subtractive, so small ratio changes matter. The mixer refines this recipe to your brand and updates on the fly.