Lighter Naples Yellow
#FEE3A9
Not a confident recipe: the closest mix is 93% Titanium White and 7% Burnt Sienna, and chromilla's model predicts an 82% dry match against the target, scored against its own color model, not a measured paint-out.
To mix naples yellow (#E5C88A) in acrylic, use 62% Titanium White, 34% Yellow Ochre and 4% Burnt Umber. Chromilla's model predicts an 87% dry match against the target, scored against its own color model, not a measured paint-out. Chromilla is a web-based paint color mixer that turns any color, from a photo, the camera or a hex code, into exact paint-tube ratios for acrylic, oil and watercolor, using Kubelka-Munk pigment mixing and aiming at the color after it dries.
Target
Naples Yellow
#E5C88A
Predicted dry result
87% match when dryMix to #E3C889 while wet. It dries to about #CFB479.
| Paint | Pigment | Share | 100 ml batch |
|---|---|---|---|
| Titanium White | PW6 | 62% | 62 ml |
| Yellow Ochre | PY43 | 34% | 34 ml |
| Burnt Umber | PBr7 | 4% | 4 ml |
How we calculated this: Kubelka-Munk pigment mixing, then a per-medium dry shift, scored with CIEDE2000. Method and accuracy benchmark. Last checked August 2026.
Terms used here: Tinting strength, Dry shift, Kubelka-Munk, Delta E (dE2000), Pigment code, Gamut.
A soft, opaque creamy yellow. Historically loved for skin and stone. This guide gives you the pigment ratios that land on #E5C88A in acrylic, using the same solver that powers the Chromilla mixer.
Checked August 2026
Ratios calibrated for acrylic. Start with the dominant pigment, add the modifiers in the order below, and adjust in 5% steps to your target swatch.
1. Titanium White
PW6
2. Yellow Ochre
PY43
3. Burnt Umber
PBr7
Titanium White, Yellow Ochre, and Burnt Umber, in roughly a 62:34:4 ratio.
Start with Titanium White at about 62% as your acrylic base, then work in Yellow Ochre and Burnt Umber in the order above. Adjust in 5% steps until the swatch reads #E5C88A.
Mixing Naples Yellow yourself lets you approximate an expensive or hard to find tube from pigments you already own, match Naples Yellow across paint brands whose factory tubes differ, and rebuild the exact color when you run out mid painting. The recipe above is the working starting point.
White cools and chalks a mix as you add it, so tint in small steps and stop before it goes pastel.
Each variation is its own target (lighter and darker move OKLCH lightness by 0.08; warmer and cooler turn the hue 12 degrees toward red or blue), solved fresh.
#FEE3A9
Not a confident recipe: the closest mix is 93% Titanium White and 7% Burnt Sienna, and chromilla's model predicts an 82% dry match against the target, scored against its own color model, not a measured paint-out.
#CBAE71
7 parts Titanium White, 1 part Raw Umber and 1 part Burnt Umber. Chromilla's model predicts an 89% dry match against the target, scored against its own color model, not a measured paint-out.
#EEC48C
4 parts Titanium White to 1 part Burnt Sienna. Chromilla's model predicts an 85% dry match against the target, scored against its own color model, not a measured paint-out.
#DBCD8B
12 parts Titanium White, 2 parts Burnt Sienna and 1 part Viridian Green. Chromilla's model predicts an 87% dry match against the target, scored against its own color model, not a measured paint-out.
Open the live mixer with Naples Yellow + acrylic pre-loaded and calibrate to your tubes.
Pigment mixing is subtractive, so small ratio changes matter. The mixer refines this recipe to your brand and updates on the fly.