Lighter Rust
#B6623C
91% Yellow Ochre, 5% Alizarin Crimson and 4% Burnt Umber. Chromilla's model predicts an 89% dry match against the target, scored against its own color model, not a measured paint-out.
To mix rust (#9C4A24) in watercolor, use 60% Yellow Ochre, 31% Raw Umber and 9% Alizarin Crimson. Chromilla's model predicts a 92% dry match against the target, scored against its own color model, not a measured paint-out. Chromilla is a web-based paint color mixer that turns any color, from a photo, the camera or a hex code, into exact paint-tube ratios for acrylic, oil and watercolor, using Kubelka-Munk pigment mixing and aiming at the color after it dries.
Target
Rust
#9C4A24
Predicted dry result
92% match when dryMix to #9D4A22 while wet. It dries to about #8F4421.
| Paint | Pigment | Share | 100 ml batch |
|---|---|---|---|
| Yellow Ochre | PY43 | 60% | 60 ml |
| Raw Umber | PBr7 | 31% | 31 ml |
| Alizarin Crimson | PR83 | 9% | 9 ml |
How we calculated this: Kubelka-Munk pigment mixing, then a per-medium dry shift, scored with CIEDE2000. Method and accuracy benchmark. Last checked August 2026.
Terms used here: Tinting strength, Dry shift, Kubelka-Munk, Delta E (dE2000), Pigment code, Gamut.
A burnt orange-brown rust. This guide gives you the pigment ratios that land on #9C4A24 in watercolor, using the same solver that powers the Chromilla mixer.
Checked August 2026
Ratios calibrated for watercolor. Start with the dominant pigment, add the modifiers in the order below, and adjust in 5% steps to your target swatch.
1. Yellow Ochre
PY43
2. Raw Umber
PBr7
3. Alizarin Crimson
PR83
Yellow Ochre, Raw Umber, and Alizarin Crimson, in roughly a 60:31:9 ratio.
Start with Yellow Ochre at about 60% as your watercolor base, then work in Raw Umber and Alizarin Crimson in the order above. Adjust in 5% steps until the swatch reads #9C4A24.
Mixing Rust yourself lets you approximate an expensive or hard to find tube from pigments you already own, match Rust across paint brands whose factory tubes differ, and rebuild the exact color when you run out mid painting. The recipe above is the working starting point.
Overshooting on Yellow Ochre is the usual failure, add it in 5% steps and compare against the target between each pass.
Each variation is its own target (lighter and darker move OKLCH lightness by 0.08; warmer and cooler turn the hue 12 degrees toward red or blue), solved fresh.
#B6623C
91% Yellow Ochre, 5% Alizarin Crimson and 4% Burnt Umber. Chromilla's model predicts an 89% dry match against the target, scored against its own color model, not a measured paint-out.
#823306
7 parts Burnt Sienna to 1 part Burnt Umber. Chromilla's model predicts a 93% dry match against the target, scored against its own color model, not a measured paint-out.
#9E4637
8 parts Cadmium Red, 3 parts Titanium White and 1 part Ultramarine Blue. Chromilla's model predicts a 91% dry match against the target, scored against its own color model, not a measured paint-out.
#9E4637
8 parts Cadmium Red, 3 parts Titanium White and 1 part Ultramarine Blue. Chromilla's model predicts a 91% dry match against the target, scored against its own color model, not a measured paint-out.
Compare acrylic, oil and watercolor for rust
Open the live mixer with Rust + watercolor pre-loaded and calibrate to your tubes.
Deep-dive guide
Common mistakes, per-brand recipes, and the honest limits when the target sits outside what real paint can reach.
Read the guideNew to browns? See what colors make brown, in plain terms.
Pigment mixing is subtractive, so small ratio changes matter. The mixer refines this recipe to your brand and updates on the fly.