acrylic
Pigment recipe
92% when dryWet mix
#9D4A22
- 1. Yellow Ochre (PY43)60%
- 2. Raw Umber (PBr7)31%
- 3. Alizarin Crimson (PR83)9%
Dry-down
Dries slightly darker and a touch warmer.
How to mix
Real pigment ratios for rust (#9C4A24) in acrylic, oil and watercolor. The recipes below come straight from Chromilla’s mixer, calibrated to real manufacturer paint data.
To mix rust (#9C4A24) in acrylic (oil and watercolor are compared below), use 60% Yellow Ochre, 31% Raw Umber and 9% Alizarin Crimson. Chromilla's model predicts a 92% dry match against the target, scored against its own color model, not a measured paint-out. Chromilla is a web-based paint color mixer that turns any color, from a photo, the camera or a hex code, into exact paint-tube ratios for acrylic, oil and watercolor, using Kubelka-Munk pigment mixing and aiming at the color after it dries.
| Medium | Tubes and parts | Predicted dry match | Drying |
|---|---|---|---|
| Acrylic | 60% Yellow Ochre, 31% Raw Umber and 9% Alizarin Crimson | 92% | Dries slightly darker and a touch warmer. |
| Oil | 60% Yellow Ochre, 31% Raw Umber and 9% Alizarin Crimson | 99% | Dries true to color. |
| Watercolor | 60% Yellow Ochre, 31% Raw Umber and 9% Alizarin Crimson | 92% | Dries slightly darker and a touch cooler. |
How we calculated this: Kubelka-Munk pigment mixing, then a per-medium dry shift, scored with CIEDE2000. Method and accuracy benchmark. Last checked August 2026.
Terms used here: Dry shift, Value, Kubelka-Munk, Delta E (dE2000), Transparency, Pigment code, Tint.
Target color
Rust
#9C4A24
Live mixer
The Chromilla mixer is pre-loaded with #9C4A24. Change your brand, medium or palette and the recipe updates instantly.
Checked August 2026
Generic pigment ratios, the same ones the Chromilla mixer solves for. Open the mixer to swap in your own brand and tubes.
acrylic
Wet mix
#9D4A22
Dry-down
Dries slightly darker and a touch warmer.
oil
Wet mix
#9D4A22
Dry-down
Dries true to color.
watercolour
Wet mix
#9D4A22
Dry-down
Dries slightly darker and a touch cooler.
Rust is a dark, warm orange-red, and the mistake is starting from bright orange and trying to darken it, which usually just dulls it toward brown too fast. Starting from a red-orange earth pigment (a burnt sienna or similar) and adjusting from there keeps the warmth and darkness together instead of losing one for the other. A little black goes further than people expect here, use less than you think you need.
Straight-to-the-ratio versions of rust in each medium, from the Chromilla mix library.
| Paint | Pigment | Share | 100 ml batch |
|---|---|---|---|
| Yellow Ochre | PY43 | 60% | 60 ml |
| Raw Umber | PBr7 | 31% | 31 ml |
| Alizarin Crimson | PR83 | 9% | 9 ml |
Each variation is its own target (lighter and darker move OKLCH lightness by 0.08; warmer and cooler turn the hue 12 degrees toward red or blue), solved fresh.
#B6623C
91% Yellow Ochre, 5% Alizarin Crimson and 4% Burnt Umber. Chromilla's model predicts an 89% dry match against the target, scored against its own color model, not a measured paint-out.
#823306
7 parts Burnt Sienna to 1 part Burnt Umber. Chromilla's model predicts a 94% dry match against the target, scored against its own color model, not a measured paint-out.
#9E4637
8 parts Cadmium Red, 3 parts Titanium White and 1 part Ultramarine Blue. Chromilla's model predicts a 91% dry match against the target, scored against its own color model, not a measured paint-out.
#9E4637
8 parts Cadmium Red, 3 parts Titanium White and 1 part Ultramarine Blue. Chromilla's model predicts a 91% dry match against the target, scored against its own color model, not a measured paint-out.
More colours to try once you have rust sorted.