acrylic
Pigment recipe
87% when dryWet mix
#CC7F37
- 1. Burnt Sienna (PBr7)68%
- 2. Titanium White (PW6)32%
Dry-down
Dries slightly darker and a touch warmer.
How to mix
Real pigment ratios for bronze (#CD7F32) in acrylic, oil and watercolor. The recipes below come straight from Chromilla’s mixer, calibrated to real manufacturer paint data.
To mix bronze (#CD7F32) in acrylic (oil and watercolor are compared below), use 2 parts Burnt Sienna to 1 part Titanium White. Chromilla's model predicts an 87% dry match against the target, scored against its own color model, not a measured paint-out. Chromilla is a web-based paint color mixer that turns any color, from a photo, the camera or a hex code, into exact paint-tube ratios for acrylic, oil and watercolor, using Kubelka-Munk pigment mixing and aiming at the color after it dries.
| Medium | Tubes and parts | Predicted dry match | Drying |
|---|---|---|---|
| Acrylic | 2 parts Burnt Sienna to 1 part Titanium White | 87% | Dries slightly darker and a touch warmer. |
| Oil | 2 parts Burnt Sienna to 1 part Titanium White | 98% | Dries true to color. |
| Watercolor | 2 parts Burnt Sienna to 1 part Titanium White | 88% | Dries slightly darker and a touch cooler. |
How we calculated this: Kubelka-Munk pigment mixing, then a per-medium dry shift, scored with CIEDE2000. Method and accuracy benchmark. Last checked August 2026.
Terms used here: Dry shift, Value, Kubelka-Munk, Delta E (dE2000), Transparency, Pigment code, Tint.
Target color
Bronze
#CD7F32
Live mixer
The Chromilla mixer is pre-loaded with #CD7F32. Change your brand, medium or palette and the recipe updates instantly.
Checked August 2026
Generic pigment ratios, the same ones the Chromilla mixer solves for. Open the mixer to swap in your own brand and tubes.
acrylic
Wet mix
#CC7F37
Dry-down
Dries slightly darker and a touch warmer.
oil
Wet mix
#CC7F37
Dry-down
Dries true to color.
watercolour
Wet mix
#CC7F37
Dry-down
Dries slightly darker and a touch cooler.
Like gold, true metallic bronze depends on reflective particles a flat pigment mix can't reproduce, this recipe gets the flat color equivalent, a warm, muted orange-brown, not the shimmer. Painters expecting a metallic look from a standard pigment mix are usually disappointed for a reason that has nothing to do with the recipe being wrong. If the shimmer matters for your piece, look for an actual metallic or interference paint instead.
| Paint | Pigment | Parts | Share | 100 ml batch |
|---|---|---|---|---|
| Burnt Sienna | PBr7 | 2 | 68% | 68 ml |
| Titanium White | PW6 | 1 | 32% | 32 ml |
Each variation is its own target (lighter and darker move OKLCH lightness by 0.08; warmer and cooler turn the hue 12 degrees toward red or blue), solved fresh.
#E8984E
74% Yellow Ochre, 21% Titanium White and 5% Cadmium Red. Chromilla's model predicts an 86% dry match against the target, scored against its own color model, not a measured paint-out.
#B3670E
12 parts Cadmium Yellow, 7 parts Burnt Sienna and 1 part Burnt Umber. Chromilla's model predicts an 89% dry match against the target, scored against its own color model, not a measured paint-out.
#D47944
9 parts Burnt Sienna, 7 parts Titanium White and 1 part Alizarin Crimson. Chromilla's model predicts an 88% dry match against the target, scored against its own color model, not a measured paint-out.
#D47944
9 parts Burnt Sienna, 7 parts Titanium White and 1 part Alizarin Crimson. Chromilla's model predicts an 88% dry match against the target, scored against its own color model, not a measured paint-out.
More colours to try once you have bronze sorted.