acrylic
Pigment recipe
93% when dryWet mix
#6F4E34
- 1. Burnt Umber (PBr7)74%
- 2. Titanium White (PW6)21%
- 3. Ivory Black (PBk9)5%
Dry-down
Dries slightly darker and a touch warmer.
How to mix
Real pigment ratios for brown (#6F4E37) in acrylic, oil and watercolor. The recipes below come straight from Chromilla’s mixer, calibrated to real manufacturer paint data.
To mix brown (#6F4E37) in acrylic (oil and watercolor are compared below), use 74% Burnt Umber, 21% Titanium White and 5% Ivory Black. Chromilla's model predicts a 93% dry match against the target, scored against its own color model, not a measured paint-out. Chromilla is a web-based paint color mixer that turns any color, from a photo, the camera or a hex code, into exact paint-tube ratios for acrylic, oil and watercolor, using Kubelka-Munk pigment mixing and aiming at the color after it dries.
| Medium | Tubes and parts | Predicted dry match | Drying |
|---|---|---|---|
| Acrylic | 74% Burnt Umber, 21% Titanium White and 5% Ivory Black | 93% | Dries slightly darker and a touch warmer. |
| Oil | 74% Burnt Umber, 21% Titanium White and 5% Ivory Black | 97% | Dries true to color. |
| Watercolor | 74% Burnt Umber, 21% Titanium White and 5% Ivory Black | 93% | Dries slightly darker and a touch cooler. |
How we calculated this: Kubelka-Munk pigment mixing, then a per-medium dry shift, scored with CIEDE2000. Method and accuracy benchmark. Last checked August 2026.
Terms used here: Dry shift, Value, Kubelka-Munk, Delta E (dE2000), Transparency, Pigment code, Tint.
Target color
Brown
#6F4E37
Live mixer
The Chromilla mixer is pre-loaded with #6F4E37. Change your brand, medium or palette and the recipe updates instantly.
Checked August 2026
Generic pigment ratios, the same ones the Chromilla mixer solves for. Open the mixer to swap in your own brand and tubes.
acrylic
Wet mix
#6F4E34
Dry-down
Dries slightly darker and a touch warmer.
oil
Wet mix
#6F4E34
Dry-down
Dries true to color.
watercolour
Wet mix
#6F4E34
Dry-down
Dries slightly darker and a touch cooler.
Brown is what you get from mixing complementary colors together, not from a special 'brown' recipe, and painters who reach straight for a tube brown miss how much range is available by mixing their own from a red and a green, or an orange and a blue. Mixing your own also means the brown relates properly to the rest of your palette instead of sitting apart as an unrelated color. If your brown looks muddy in a bad way rather than a good way, you likely have too many pigments fighting each other, aim for two or three, not four or five.
Straight-to-the-ratio versions of brown in each medium, from the Chromilla mix library.
| Paint | Pigment | Share | 100 ml batch |
|---|---|---|---|
| Burnt Umber | PBr7 | 74% | 74 ml |
| Titanium White | PW6 | 21% | 21 ml |
| Ivory Black | PBk9 | 5% | 5 ml |
Each variation is its own target (lighter and darker move OKLCH lightness by 0.08; warmer and cooler turn the hue 12 degrees toward red or blue), solved fresh.
#87644D
3 parts Viridian Green, 1 part Cadmium Red and 1 part Titanium White. Chromilla's model predicts a 90% dry match against the target, scored against its own color model, not a measured paint-out.
#583822
5 parts Burnt Umber to 2 parts Viridian Green. Chromilla's model predicts a 96% dry match against the target, scored against its own color model, not a measured paint-out.
#714C3C
8 parts Yellow Ochre, 1 part Alizarin Crimson and 1 part Ultramarine Blue. Chromilla's model predicts a 91% dry match against the target, scored against its own color model, not a measured paint-out.
#714C3C
8 parts Yellow Ochre, 1 part Alizarin Crimson and 1 part Ultramarine Blue. Chromilla's model predicts a 91% dry match against the target, scored against its own color model, not a measured paint-out.
More colours to try once you have brown sorted.