Lighter Brown
#87644D
3 parts Viridian Green, 1 part Cadmium Red and 1 part Titanium White. Chromilla's model predicts a 99% dry match against the target, scored against its own color model, not a measured paint-out.
To mix brown (#6F4E37) in oil, use 74% Burnt Umber, 21% Titanium White and 5% Ivory Black. Chromilla's model predicts a 97% dry match against the target, scored against its own color model, not a measured paint-out. Chromilla is a web-based paint color mixer that turns any color, from a photo, the camera or a hex code, into exact paint-tube ratios for acrylic, oil and watercolor, using Kubelka-Munk pigment mixing and aiming at the color after it dries.
Target
Brown
#6F4E37
Predicted dry result
97% match when dryMix to #6F4E34. It dries true to color.
| Paint | Pigment | Share | 100 ml batch |
|---|---|---|---|
| Burnt Umber | PBr7 | 74% | 74 ml |
| Titanium White | PW6 | 21% | 21 ml |
| Ivory Black | PBk9 | 5% | 5 ml |
How we calculated this: Kubelka-Munk pigment mixing, then a per-medium dry shift, scored with CIEDE2000. Method and accuracy benchmark. Last checked August 2026.
Terms used here: Tinting strength, Dry shift, Kubelka-Munk, Delta E (dE2000), Pigment code, Gamut.
A neutral mid brown. The base every other brown starts from. This guide gives you the pigment ratios that land on #6F4E37 in oil, using the same solver that powers the Chromilla mixer.
Checked August 2026
Ratios calibrated for oil. Start with the dominant pigment, add the modifiers in the order below, and adjust in 5% steps to your target swatch.
1. Burnt Umber
PBr7
2. Titanium White
PW6
3. Ivory Black
PBk9
Burnt Umber, Titanium White, and Ivory Black, in roughly a 74:21:5 ratio.
Start with Burnt Umber at about 74% as your oil base, then work in Titanium White and Ivory Black in the order above. Adjust in 5% steps until the swatch reads #6F4E37.
Mixing Brown yourself lets you approximate an expensive or hard to find tube from pigments you already own, match Brown across paint brands whose factory tubes differ, and rebuild the exact color when you run out mid painting. The recipe above is the working starting point.
Reaching for more black to deepen it kills the chroma, add the dark modifier already in the recipe instead. White cools and chalks a mix as you add it, so tint in small steps and stop before it goes pastel.
Each variation is its own target (lighter and darker move OKLCH lightness by 0.08; warmer and cooler turn the hue 12 degrees toward red or blue), solved fresh.
#87644D
3 parts Viridian Green, 1 part Cadmium Red and 1 part Titanium White. Chromilla's model predicts a 99% dry match against the target, scored against its own color model, not a measured paint-out.
#583822
5 parts Burnt Umber to 2 parts Viridian Green. Chromilla's model predicts a 98% dry match against the target, scored against its own color model, not a measured paint-out.
#714C3C
8 parts Yellow Ochre, 1 part Alizarin Crimson and 1 part Ultramarine Blue. Chromilla's model predicts a 97% dry match against the target, scored against its own color model, not a measured paint-out.
#714C3C
8 parts Yellow Ochre, 1 part Alizarin Crimson and 1 part Ultramarine Blue. Chromilla's model predicts a 97% dry match against the target, scored against its own color model, not a measured paint-out.
Compare acrylic, oil and watercolor for brown
Open the live mixer with Brown + oil pre-loaded and calibrate to your tubes.
Deep-dive guide
Common mistakes, per-brand recipes, and the honest limits when the target sits outside what real paint can reach.
Read the guideNew to browns? See what colors make brown, in plain terms.
Pigment mixing is subtractive, so small ratio changes matter. The mixer refines this recipe to your brand and updates on the fly.