Lighter Raw Sienna
#D09857
65% Titanium White, 30% Raw Umber and 5% Alizarin Crimson. Chromilla's model predicts an 88% dry match against the target, scored against its own color model, not a measured paint-out.
To mix raw sienna (#B67F3E) in watercolor, use 11 parts Raw Umber, 8 parts Titanium White and 1 part Alizarin Crimson. Chromilla's model predicts an 89% dry match against the target, scored against its own color model, not a measured paint-out. Chromilla is a web-based paint color mixer that turns any color, from a photo, the camera or a hex code, into exact paint-tube ratios for acrylic, oil and watercolor, using Kubelka-Munk pigment mixing and aiming at the color after it dries.
Target
Raw Sienna
#B67F3E
Predicted dry result
89% match when dryMix to #B87E39 while wet. It dries to about #A87436.
| Paint | Pigment | Parts | Share | 100 ml batch |
|---|---|---|---|---|
| Raw Umber | PBr7 | 11 | 56% | 56 ml |
| Titanium White | PW6 | 8 | 39% | 39 ml |
| Alizarin Crimson | PR83 | 1 | 5% | 5 ml |
How we calculated this: Kubelka-Munk pigment mixing, then a per-medium dry shift, scored with CIEDE2000. Method and accuracy benchmark. Last checked August 2026.
Terms used here: Tinting strength, Dry shift, Kubelka-Munk, Delta E (dE2000), Pigment code, Gamut.
A transparent warm gold-brown. Cleaner than yellow ochre. This guide gives you the pigment ratios that land on #B67F3E in watercolor, using the same solver that powers the Chromilla mixer.
Checked August 2026
Ratios calibrated for watercolor. Start with the dominant pigment, add the modifiers in the order below, and adjust in 5% steps to your target swatch.
1. Raw Umber
PBr7
2. Titanium White
PW6
3. Alizarin Crimson
PR83
Raw Umber, Titanium White, and Alizarin Crimson, in roughly a 56:39:5 ratio.
Start with Raw Umber at about 56% as your watercolor base, then work in Titanium White and Alizarin Crimson in the order above. Adjust in 5% steps until the swatch reads #B67F3E.
Mixing Raw Sienna yourself lets you approximate an expensive or hard to find tube from pigments you already own, match Raw Sienna across paint brands whose factory tubes differ, and rebuild the exact color when you run out mid painting. The recipe above is the working starting point.
White cools and chalks a mix as you add it, so tint in small steps and stop before it goes pastel.
Each variation is its own target (lighter and darker move OKLCH lightness by 0.08; warmer and cooler turn the hue 12 degrees toward red or blue), solved fresh.
#D09857
65% Titanium White, 30% Raw Umber and 5% Alizarin Crimson. Chromilla's model predicts an 88% dry match against the target, scored against its own color model, not a measured paint-out.
#9D6723
80% Raw Umber, 15% Titanium White and 5% Cadmium Red. Chromilla's model predicts a 90% dry match against the target, scored against its own color model, not a measured paint-out.
#BD7A48
5 parts Titanium White, 5 parts Raw Umber and 1 part Alizarin Crimson. Chromilla's model predicts a 91% dry match against the target, scored against its own color model, not a measured paint-out.
#BD7A48
5 parts Titanium White, 5 parts Raw Umber and 1 part Alizarin Crimson. Chromilla's model predicts a 91% dry match against the target, scored against its own color model, not a measured paint-out.
Open the live mixer with Raw Sienna + watercolor pre-loaded and calibrate to your tubes.
New to browns? See what colors make brown, in plain terms.
Pigment mixing is subtractive, so small ratio changes matter. The mixer refines this recipe to your brand and updates on the fly.