Lighter Burnt Sienna
#A45238
7 parts Burnt Umber, 5 parts Cadmium Red and 4 parts Titanium White. Chromilla's model predicts a 91% dry match against the target, scored against its own color model, not a measured paint-out.
To mix burnt sienna (#8A3B21) in watercolor, use 4 parts Yellow Ochre, 3 parts Burnt Umber and 2 parts Cadmium Red. Chromilla's model predicts a 93% dry match against the target, scored against its own color model, not a measured paint-out. Chromilla is a web-based paint color mixer that turns any color, from a photo, the camera or a hex code, into exact paint-tube ratios for acrylic, oil and watercolor, using Kubelka-Munk pigment mixing and aiming at the color after it dries.
Target
Burnt Sienna
#8A3B21
Predicted dry result
93% match when dryMix to #8A3D24 while wet. It dries to about #7E3823.
| Paint | Pigment | Parts | Share | 100 ml batch |
|---|---|---|---|---|
| Yellow Ochre | PY43 | 4 | 44% | 44 ml |
| Burnt Umber | PBr7 | 3 | 34% | 34 ml |
| Cadmium Red | PR108 | 2 | 22% | 22 ml |
How we calculated this: Kubelka-Munk pigment mixing, then a per-medium dry shift, scored with CIEDE2000. Method and accuracy benchmark. Last checked August 2026.
Terms used here: Tinting strength, Dry shift, Kubelka-Munk, Delta E (dE2000), Pigment code, Gamut.
A rich earthy red-brown. The workhorse warm earth for skin, wood, and shadow. This guide gives you the pigment ratios that land on #8A3B21 in watercolor, using the same solver that powers the Chromilla mixer.
Checked August 2026
Ratios calibrated for watercolor. Start with the dominant pigment, add the modifiers in the order below, and adjust in 5% steps to your target swatch.
1. Yellow Ochre
PY43
2. Burnt Umber
PBr7
3. Cadmium Red
PR108
Yellow Ochre, Burnt Umber, and Cadmium Red, in roughly a 44:34:22 ratio.
Start with Yellow Ochre at about 44% as your watercolor base, then work in Burnt Umber and Cadmium Red in the order above. Adjust in 5% steps until the swatch reads #8A3B21.
Mixing Burnt Sienna yourself lets you approximate an expensive or hard to find tube from pigments you already own, match Burnt Sienna across paint brands whose factory tubes differ, and rebuild the exact color when you run out mid painting. The recipe above is the working starting point.
Overshooting on Yellow Ochre is the usual failure, add it in 5% steps and compare against the target between each pass.
Each variation is its own target (lighter and darker move OKLCH lightness by 0.08; warmer and cooler turn the hue 12 degrees toward red or blue), solved fresh.
#A45238
7 parts Burnt Umber, 5 parts Cadmium Red and 4 parts Titanium White. Chromilla's model predicts a 91% dry match against the target, scored against its own color model, not a measured paint-out.
#712406
6 parts Cadmium Yellow, 4 parts Alizarin Crimson and 1 part Ultramarine Blue. Chromilla's model predicts a 92% dry match against the target, scored against its own color model, not a measured paint-out.
#8B382F
8 parts Burnt Umber, 3 parts Alizarin Crimson and 2 parts Titanium White. Chromilla's model predicts a 91% dry match against the target, scored against its own color model, not a measured paint-out.
#8B3832
7 parts Burnt Umber, 4 parts Alizarin Crimson and 2 parts Titanium White. Chromilla's model predicts a 93% dry match against the target, scored against its own color model, not a measured paint-out.
Open the live mixer with Burnt Sienna + watercolor pre-loaded and calibrate to your tubes.
New to browns? See what colors make brown, in plain terms.
Pigment mixing is subtractive, so small ratio changes matter. The mixer refines this recipe to your brand and updates on the fly.