acrylic
Pigment recipe
89% when dryWet mix
#87BBE6
- 1. Titanium White (PW6)86%
- 2. Ultramarine Blue (PB29)10%
- 3. Phthalo Blue (PB15)4%
Dry-down
Dries slightly darker and a touch warmer.
How to mix
Real pigment ratios for sky blue (#8CB8DC) in acrylic, oil and watercolor. The recipes below come straight from Chromilla’s mixer, calibrated to real manufacturer paint data.
To mix sky blue (#8CB8DC) in acrylic (oil and watercolor are compared below), use 86% Titanium White, 10% Ultramarine Blue and 4% Phthalo Blue. Chromilla's model predicts an 89% dry match against the target, scored against its own color model, not a measured paint-out. Chromilla is a web-based paint color mixer that turns any color, from a photo, the camera or a hex code, into exact paint-tube ratios for acrylic, oil and watercolor, using Kubelka-Munk pigment mixing and aiming at the color after it dries.
| Medium | Tubes and parts | Predicted dry match | Drying |
|---|---|---|---|
| Acrylic | 86% Titanium White, 10% Ultramarine Blue and 4% Phthalo Blue | 89% | Dries slightly darker and a touch warmer. |
| Oil | 86% Titanium White, 10% Ultramarine Blue and 4% Phthalo Blue | 95% | Dries true to color. |
| Watercolor | 86% Titanium White, 10% Ultramarine Blue and 4% Phthalo Blue | 91% | Dries slightly darker and a touch cooler. |
How we calculated this: Kubelka-Munk pigment mixing, then a per-medium dry shift, scored with CIEDE2000. Method and accuracy benchmark. Last checked August 2026.
Terms used here: Dry shift, Value, Kubelka-Munk, Delta E (dE2000), Transparency, Pigment code, Tint.
Target color
Sky Blue
#8CB8DC
Live mixer
The Chromilla mixer is pre-loaded with #8CB8DC. Change your brand, medium or palette and the recipe updates instantly.
Checked August 2026
Generic pigment ratios, the same ones the Chromilla mixer solves for. Open the mixer to swap in your own brand and tubes.
acrylic
Wet mix
#87BBE6
Dry-down
Dries slightly darker and a touch warmer.
oil
Wet mix
#87BBE6
Dry-down
Dries true to color.
watercolour
Wet mix
#87BBE6
Dry-down
Dries slightly darker and a touch cooler.
Sky blue is mostly about restraint: it's a small amount of blue in a lot of white, and adding blue in the proportions you'd use for a saturated color overshoots every time. Add white first, then blue in small increments until the value is right. Cerulean-type pigments tend to give a softer, more atmospheric sky blue than phthalo, which reads as too electric for most skies.
Straight-to-the-ratio versions of sky blue in each medium, from the Chromilla mix library.
| Paint | Pigment | Share | 100 ml batch |
|---|---|---|---|
| Titanium White | PW6 | 86% | 86 ml |
| Ultramarine Blue | PB29 | 10% | 10 ml |
| Phthalo Blue | PB15 | 4% | 4 ml |
Each variation is its own target (lighter and darker move OKLCH lightness by 0.08; warmer and cooler turn the hue 12 degrees toward red or blue), solved fresh.
#A5D2F7
Not a confident recipe: the closest mix is 92% Titanium White, 5% Ultramarine Blue and 3% Phthalo Blue, and chromilla's model predicts an 81% dry match against the target, scored against its own color model, not a measured paint-out.
#749FC2
86% Titanium White, 8% Phthalo Blue and 6% Alizarin Crimson. Chromilla's model predicts an 86% dry match against the target, scored against its own color model, not a measured paint-out.
#95B5DF
Not a confident recipe: the closest mix is 8 parts Titanium White, 3 parts Viridian Green and 2 parts Ultramarine Blue, and chromilla's model predicts an 83% dry match against the target, scored against its own color model, not a measured paint-out.
#95B5DF
Not a confident recipe: the closest mix is 8 parts Titanium White, 3 parts Viridian Green and 2 parts Ultramarine Blue, and chromilla's model predicts an 83% dry match against the target, scored against its own color model, not a measured paint-out.
More colours to try once you have sky blue sorted.