acrylic
Pigment recipe
95% when dryWet mix
#6B3552
- 1. Alizarin Crimson (PR83)53%
- 2. Ultramarine Blue (PB29)25%
- 3. Titanium White (PW6)22%
Dry-down
Dries slightly darker and a touch warmer.
How to mix
Real pigment ratios for plum (#6A3550) in acrylic, oil and watercolor. The recipes below come straight from Chromilla’s mixer, calibrated to real manufacturer paint data.
To mix plum (#6A3550) in acrylic (oil and watercolor are compared below), use 7 parts Alizarin Crimson, 3 parts Ultramarine Blue and 3 parts Titanium White. Chromilla's model predicts a 95% dry match against the target, scored against its own color model, not a measured paint-out. Chromilla is a web-based paint color mixer that turns any color, from a photo, the camera or a hex code, into exact paint-tube ratios for acrylic, oil and watercolor, using Kubelka-Munk pigment mixing and aiming at the color after it dries.
| Medium | Tubes and parts | Predicted dry match | Drying |
|---|---|---|---|
| Acrylic | 7 parts Alizarin Crimson, 3 parts Ultramarine Blue and 3 parts Titanium White | 95% | Dries slightly darker and a touch warmer. |
| Oil | 7 parts Alizarin Crimson, 3 parts Ultramarine Blue and 3 parts Titanium White | 98% | Dries true to color. |
| Watercolor | 7 parts Alizarin Crimson, 3 parts Ultramarine Blue and 3 parts Titanium White | 94% | Dries slightly darker and a touch cooler. |
How we calculated this: Kubelka-Munk pigment mixing, then a per-medium dry shift, scored with CIEDE2000. Method and accuracy benchmark. Last checked August 2026.
Terms used here: Dry shift, Value, Kubelka-Munk, Delta E (dE2000), Transparency, Pigment code, Tint.
Target color
Plum
#6A3550
Live mixer
The Chromilla mixer is pre-loaded with #6A3550. Change your brand, medium or palette and the recipe updates instantly.
Checked August 2026
Generic pigment ratios, the same ones the Chromilla mixer solves for. Open the mixer to swap in your own brand and tubes.
acrylic
Wet mix
#6B3552
Dry-down
Dries slightly darker and a touch warmer.
oil
Wet mix
#6B3552
Dry-down
Dries true to color.
watercolour
Wet mix
#6B3552
Dry-down
Dries slightly darker and a touch cooler.
Plum is a dark, reddish-purple, and the mistake is building it from red and blue alone, which usually turns muddy at that depth of color. Adding a touch of the mix's own darkened complement (a dark green) instead of black keeps plum rich rather than flat when you push the value down. Quinacridone violet or magenta as the base tends to hold its color better at low light values than a straight red-and-blue mix.
Straight-to-the-ratio versions of plum in each medium, from the Chromilla mix library.
| Paint | Pigment | Parts | Share | 100 ml batch |
|---|---|---|---|---|
| Alizarin Crimson | PR83 | 7 | 53% | 53 ml |
| Ultramarine Blue | PB29 | 3 | 25% | 25 ml |
| Titanium White | PW6 | 3 | 22% | 22 ml |
Each variation is its own target (lighter and darker move OKLCH lightness by 0.08; warmer and cooler turn the hue 12 degrees toward red or blue), solved fresh.
#824B66
9 parts Viridian Green, 4 parts Alizarin Crimson and 3 parts Titanium White. Chromilla's model predicts a 92% dry match against the target, scored against its own color model, not a measured paint-out.
#52203B
7 parts Alizarin Crimson, 3 parts Ultramarine Blue and 1 part Titanium White. Chromilla's model predicts a 94% dry match against the target, scored against its own color model, not a measured paint-out.
#6D3446
6 parts Alizarin Crimson, 3 parts Titanium White and 1 part Ivory Black. Chromilla's model predicts a 94% dry match against the target, scored against its own color model, not a measured paint-out.
#663659
6 parts Alizarin Crimson, 4 parts Ultramarine Blue and 3 parts Titanium White. Chromilla's model predicts a 92% dry match against the target, scored against its own color model, not a measured paint-out.
More colours to try once you have plum sorted.