Lighter Plum
#824B66
9 parts Viridian Green, 4 parts Alizarin Crimson and 3 parts Titanium White. Chromilla's model predicts a 99% dry match against the target, scored against its own color model, not a measured paint-out.
To mix plum (#6A3550) in oil, use 7 parts Alizarin Crimson, 3 parts Ultramarine Blue and 3 parts Titanium White. Chromilla's model predicts a 98% dry match against the target, scored against its own color model, not a measured paint-out. Chromilla is a web-based paint color mixer that turns any color, from a photo, the camera or a hex code, into exact paint-tube ratios for acrylic, oil and watercolor, using Kubelka-Munk pigment mixing and aiming at the color after it dries.
Target
Plum
#6A3550
Predicted dry result
98% match when dryMix to #6B3552. It dries true to color.
| Paint | Pigment | Parts | Share | 100 ml batch |
|---|---|---|---|---|
| Alizarin Crimson | PR83 | 7 | 53% | 53 ml |
| Ultramarine Blue | PB29 | 3 | 25% | 25 ml |
| Titanium White | PW6 | 3 | 22% | 22 ml |
How we calculated this: Kubelka-Munk pigment mixing, then a per-medium dry shift, scored with CIEDE2000. Method and accuracy benchmark. Last checked August 2026.
Terms used here: Tinting strength, Dry shift, Kubelka-Munk, Delta E (dE2000), Pigment code, Gamut.
A deep red-purple plum. This guide gives you the pigment ratios that land on #6A3550 in oil, using the same solver that powers the Chromilla mixer.
Checked August 2026
Ratios calibrated for oil. Start with the dominant pigment, add the modifiers in the order below, and adjust in 5% steps to your target swatch.
1. Alizarin Crimson
PR83
2. Ultramarine Blue
PB29
3. Titanium White
PW6
Alizarin Crimson, Ultramarine Blue, and Titanium White, in roughly a 53:25:22 ratio.
Start with Alizarin Crimson at about 53% as your oil base, then work in Ultramarine Blue and Titanium White in the order above. Adjust in 5% steps until the swatch reads #6A3550.
Mixing Plum yourself lets you approximate an expensive or hard to find tube from pigments you already own, match Plum across paint brands whose factory tubes differ, and rebuild the exact color when you run out mid painting. The recipe above is the working starting point.
White cools and chalks a mix as you add it, so tint in small steps and stop before it goes pastel.
Each variation is its own target (lighter and darker move OKLCH lightness by 0.08; warmer and cooler turn the hue 12 degrees toward red or blue), solved fresh.
#824B66
9 parts Viridian Green, 4 parts Alizarin Crimson and 3 parts Titanium White. Chromilla's model predicts a 99% dry match against the target, scored against its own color model, not a measured paint-out.
#52203B
7 parts Alizarin Crimson, 3 parts Ultramarine Blue and 1 part Titanium White. Chromilla's model predicts a 97% dry match against the target, scored against its own color model, not a measured paint-out.
#6D3446
6 parts Alizarin Crimson, 3 parts Titanium White and 1 part Ivory Black. Chromilla's model predicts a 100% dry match against the target, scored against its own color model, not a measured paint-out.
#663659
6 parts Alizarin Crimson, 4 parts Ultramarine Blue and 3 parts Titanium White. Chromilla's model predicts a 98% dry match against the target, scored against its own color model, not a measured paint-out.
Compare acrylic, oil and watercolor for plum
Open the live mixer with Plum + oil pre-loaded and calibrate to your tubes.
Deep-dive guide
Common mistakes, per-brand recipes, and the honest limits when the target sits outside what real paint can reach.
Read the guidePigment mixing is subtractive, so small ratio changes matter. The mixer refines this recipe to your brand and updates on the fly.