acrylic
Pigment recipe
95% when dryWet mix
#6F1E2A
- 1. Alizarin Crimson (PR83)57%
- 2. Yellow Ochre (PY43)37%
- 3. Ultramarine Blue (PB29)6%
Dry-down
Dries slightly darker and a touch warmer.
How to mix
Real pigment ratios for maroon (#6E1F2A) in acrylic, oil and watercolor. The recipes below come straight from Chromilla’s mixer, calibrated to real manufacturer paint data.
To mix maroon (#6E1F2A) in acrylic (oil and watercolor are compared below), use 10 parts Alizarin Crimson, 6 parts Yellow Ochre and 1 part Ultramarine Blue. Chromilla's model predicts a 95% dry match against the target, scored against its own color model, not a measured paint-out. Chromilla is a web-based paint color mixer that turns any color, from a photo, the camera or a hex code, into exact paint-tube ratios for acrylic, oil and watercolor, using Kubelka-Munk pigment mixing and aiming at the color after it dries.
| Medium | Tubes and parts | Predicted dry match | Drying |
|---|---|---|---|
| Acrylic | 10 parts Alizarin Crimson, 6 parts Yellow Ochre and 1 part Ultramarine Blue | 95% | Dries slightly darker and a touch warmer. |
| Oil | 10 parts Alizarin Crimson, 6 parts Yellow Ochre and 1 part Ultramarine Blue | 99% | Dries true to color. |
| Watercolor | 10 parts Alizarin Crimson, 6 parts Yellow Ochre and 1 part Ultramarine Blue | 94% | Dries slightly darker and a touch cooler. |
How we calculated this: Kubelka-Munk pigment mixing, then a per-medium dry shift, scored with CIEDE2000. Method and accuracy benchmark. Last checked August 2026.
Terms used here: Dry shift, Value, Kubelka-Munk, Delta E (dE2000), Transparency, Pigment code, Tint.
Target color
Maroon
#6E1F2A
Live mixer
The Chromilla mixer is pre-loaded with #6E1F2A. Change your brand, medium or palette and the recipe updates instantly.
Checked August 2026
Generic pigment ratios, the same ones the Chromilla mixer solves for. Open the mixer to swap in your own brand and tubes.
acrylic
Wet mix
#6F1E2A
Dry-down
Dries slightly darker and a touch warmer.
oil
Wet mix
#6F1E2A
Dry-down
Dries true to color.
watercolour
Wet mix
#6F1E2A
Dry-down
Dries slightly darker and a touch cooler.
Maroon and burgundy get confused constantly because they're close in hue, but maroon sits warmer and browner. The common mistake is using the same recipe for both: maroon usually wants a touch more yellow-earth influence, a raw sienna or burnt umber, where burgundy wants more blue-violet. If your maroon keeps drifting toward burgundy, you're likely darkening with a cool pigment instead of a warm one.
Straight-to-the-ratio versions of maroon in each medium, from the Chromilla mix library.
| Paint | Pigment | Parts | Share | 100 ml batch |
|---|---|---|---|---|
| Alizarin Crimson | PR83 | 10 | 57% | 57 ml |
| Yellow Ochre | PY43 | 6 | 37% | 37 ml |
| Ultramarine Blue | PB29 | 1 | 6% | 6 ml |
Each variation is its own target (lighter and darker move OKLCH lightness by 0.08; warmer and cooler turn the hue 12 degrees toward red or blue), solved fresh.
#87363F
6 parts Yellow Ochre, 5 parts Alizarin Crimson, 4 parts Viridian Green and 1 part Titanium White. Chromilla's model predicts a 94% dry match against the target, scored against its own color model, not a measured paint-out.
#550316
93% Alizarin Crimson and 7% Ultramarine Blue. Chromilla's model predicts a 95% dry match against the target, scored against its own color model, not a measured paint-out.
#6E211A
5 parts Alizarin Crimson, 3 parts Viridian Green and 2 parts Cadmium Yellow. Chromilla's model predicts a 95% dry match against the target, scored against its own color model, not a measured paint-out.
#6C1F38
53% Alizarin Crimson, 42% Viridian Green and 5% Titanium White. Chromilla's model predicts a 94% dry match against the target, scored against its own color model, not a measured paint-out.
More colours to try once you have maroon sorted.