Lighter Skin Tone (Medium)
#E1A37B
81% Titanium White, 13% Raw Umber and 6% Alizarin Crimson. Chromilla's model predicts an 88% dry match against the target, scored against its own color model, not a measured paint-out.
To mix skin tone (medium) (#C68A63) in watercolor, use 9 parts Titanium White, 4 parts Burnt Umber and 1 part Cadmium Red. Chromilla's model predicts an 88% dry match against the target, scored against its own color model, not a measured paint-out. Chromilla is a web-based paint color mixer that turns any color, from a photo, the camera or a hex code, into exact paint-tube ratios for acrylic, oil and watercolor, using Kubelka-Munk pigment mixing and aiming at the color after it dries.
Target
Skin Tone (Medium)
#C68A63
Predicted dry result
88% match when dryMix to #C48A66 while wet. It dries to about #B37F60.
| Paint | Pigment | Parts | Share | 100 ml batch |
|---|---|---|---|---|
| Titanium White | PW6 | 9 | 65% | 65 ml |
| Burnt Umber | PBr7 | 4 | 28% | 28 ml |
| Cadmium Red | PR108 | 1 | 7% | 7 ml |
How we calculated this: Kubelka-Munk pigment mixing, then a per-medium dry shift, scored with CIEDE2000. Method and accuracy benchmark. Last checked August 2026.
Terms used here: Tinting strength, Dry shift, Kubelka-Munk, Delta E (dE2000), Pigment code, Gamut.
A mid-warm skin tone. Fills the gap between light and deep. This guide gives you the pigment ratios that land on #C68A63 in watercolor, using the same solver that powers the Chromilla mixer.
Checked August 2026
Ratios calibrated for watercolor. Start with the dominant pigment, add the modifiers in the order below, and adjust in 5% steps to your target swatch.
1. Titanium White
PW6
2. Burnt Umber
PBr7
3. Cadmium Red
PR108
Titanium White, Burnt Umber, and Cadmium Red, in roughly a 65:28:7 ratio.
Start with Titanium White at about 65% as your watercolor base, then work in Burnt Umber and Cadmium Red in the order above. Adjust in 5% steps until the swatch reads #C68A63.
Mixing Skin Tone (Medium) yourself lets you approximate an expensive or hard to find tube from pigments you already own, match Skin Tone (Medium) across paint brands whose factory tubes differ, and rebuild the exact color when you run out mid painting. The recipe above is the working starting point.
White cools and chalks a mix as you add it, so tint in small steps and stop before it goes pastel.
Each variation is its own target (lighter and darker move OKLCH lightness by 0.08; warmer and cooler turn the hue 12 degrees toward red or blue), solved fresh.
#E1A37B
81% Titanium White, 13% Raw Umber and 6% Alizarin Crimson. Chromilla's model predicts an 88% dry match against the target, scored against its own color model, not a measured paint-out.
#AC724B
5 parts Burnt Umber to 4 parts Titanium White. Chromilla's model predicts an 88% dry match against the target, scored against its own color model, not a measured paint-out.
#CA876D
8 parts Titanium White, 3 parts Cadmium Red and 2 parts Viridian Green. Chromilla's model predicts an 89% dry match against the target, scored against its own color model, not a measured paint-out.
#CA876D
8 parts Titanium White, 3 parts Cadmium Red and 2 parts Viridian Green. Chromilla's model predicts an 89% dry match against the target, scored against its own color model, not a measured paint-out.
Compare acrylic, oil and watercolor for skin tone (medium)
Open the live mixer with Skin Tone (Medium) + watercolor pre-loaded and calibrate to your tubes.
Deep-dive guide
Common mistakes, per-brand recipes, and the honest limits when the target sits outside what real paint can reach.
Read the guidePigment mixing is subtractive, so small ratio changes matter. The mixer refines this recipe to your brand and updates on the fly.