Lighter Yellow Ochre
#E2BB65
7 parts Yellow Ochre, 5 parts Titanium White and 1 part Burnt Sienna. Chromilla's model predicts a 99% dry match against the target, scored against its own color model, not a measured paint-out.
To mix yellow ochre (#C8A24B) in oil, use 11 parts Titanium White, 7 parts Raw Umber and 2 parts Burnt Sienna. Chromilla's model predicts a 99% dry match against the target, scored against its own color model, not a measured paint-out. Chromilla is a web-based paint color mixer that turns any color, from a photo, the camera or a hex code, into exact paint-tube ratios for acrylic, oil and watercolor, using Kubelka-Munk pigment mixing and aiming at the color after it dries.
Target
Yellow Ochre
#C8A24B
Predicted dry result
99% match when dryMix to #C9A249. It dries true to color.
| Paint | Pigment | Parts | Share | 100 ml batch |
|---|---|---|---|---|
| Titanium White | PW6 | 11 | 54% | 54 ml |
| Raw Umber | PBr7 | 7 | 36% | 36 ml |
| Burnt Sienna | PBr7 | 2 | 10% | 10 ml |
How we calculated this: Kubelka-Munk pigment mixing, then a per-medium dry shift, scored with CIEDE2000. Method and accuracy benchmark. Last checked August 2026.
Terms used here: Tinting strength, Dry shift, Kubelka-Munk, Delta E (dE2000), Pigment code, Gamut.
A muted, earthy yellow. The backbone of skin tones and warm neutrals. This guide gives you the pigment ratios that land on #C8A24B in oil, using the same solver that powers the Chromilla mixer.
Checked August 2026
Ratios calibrated for oil. Start with the dominant pigment, add the modifiers in the order below, and adjust in 5% steps to your target swatch.
1. Titanium White
PW6
2. Raw Umber
PBr7
3. Burnt Sienna
PBr7
Titanium White, Raw Umber, and Burnt Sienna, in roughly a 54:36:10 ratio.
Start with Titanium White at about 54% as your oil base, then work in Raw Umber and Burnt Sienna in the order above. Adjust in 5% steps until the swatch reads #C8A24B.
Mixing Yellow Ochre yourself lets you approximate an expensive or hard to find tube from pigments you already own, match Yellow Ochre across paint brands whose factory tubes differ, and rebuild the exact color when you run out mid painting. The recipe above is the working starting point.
White cools and chalks a mix as you add it, so tint in small steps and stop before it goes pastel.
Each variation is its own target (lighter and darker move OKLCH lightness by 0.08; warmer and cooler turn the hue 12 degrees toward red or blue), solved fresh.
#E2BB65
7 parts Yellow Ochre, 5 parts Titanium White and 1 part Burnt Sienna. Chromilla's model predicts a 99% dry match against the target, scored against its own color model, not a measured paint-out.
#AE892F
2 parts Raw Umber to 1 part Titanium White. Chromilla's model predicts a 97% dry match against the target, scored against its own color model, not a measured paint-out.
#D39C4F
51% Titanium White, 45% Burnt Sienna and 4% Viridian Green. Chromilla's model predicts a 99% dry match against the target, scored against its own color model, not a measured paint-out.
#BBA84C
9 parts Titanium White, 7 parts Raw Umber and 2 parts Viridian Green. Chromilla's model predicts a 100% dry match against the target, scored against its own color model, not a measured paint-out.
Open the live mixer with Yellow Ochre + oil pre-loaded and calibrate to your tubes.
Pigment mixing is subtractive, so small ratio changes matter. The mixer refines this recipe to your brand and updates on the fly.