Lighter Mustard
#DCB34C
10 parts Yellow Ochre to 1 part Titanium White. Chromilla's model predicts a 99% dry match against the target, scored against its own color model, not a measured paint-out.
To mix mustard (#C29A2E) in oil, use 5 parts Raw Umber, 4 parts Titanium White and 2 parts Cadmium Yellow. Chromilla's model predicts a 98% dry match against the target, scored against its own color model, not a measured paint-out. Chromilla is a web-based paint color mixer that turns any color, from a photo, the camera or a hex code, into exact paint-tube ratios for acrylic, oil and watercolor, using Kubelka-Munk pigment mixing and aiming at the color after it dries.
Target
Mustard
#C29A2E
Predicted dry result
98% match when dryMix to #BF9A2F. It dries true to color.
| Paint | Pigment | Parts | Share | 100 ml batch |
|---|---|---|---|---|
| Raw Umber | PBr7 | 5 | 45% | 45 ml |
| Titanium White | PW6 | 4 | 36% | 36 ml |
| Cadmium Yellow | PY35 | 2 | 19% | 19 ml |
How we calculated this: Kubelka-Munk pigment mixing, then a per-medium dry shift, scored with CIEDE2000. Method and accuracy benchmark. Last checked August 2026.
Terms used here: Tinting strength, Dry shift, Kubelka-Munk, Delta E (dE2000), Pigment code, Gamut.
A muted yellow-gold mustard. This guide gives you the pigment ratios that land on #C29A2E in oil, using the same solver that powers the Chromilla mixer.
Checked August 2026
Ratios calibrated for oil. Start with the dominant pigment, add the modifiers in the order below, and adjust in 5% steps to your target swatch.
1. Raw Umber
PBr7
2. Titanium White
PW6
3. Cadmium Yellow
PY35
Raw Umber, Titanium White, and Cadmium Yellow, in roughly a 45:36:19 ratio.
Start with Raw Umber at about 45% as your oil base, then work in Titanium White and Cadmium Yellow in the order above. Adjust in 5% steps until the swatch reads #C29A2E.
Mixing Mustard yourself lets you approximate an expensive or hard to find tube from pigments you already own, match Mustard across paint brands whose factory tubes differ, and rebuild the exact color when you run out mid painting. The recipe above is the working starting point.
White cools and chalks a mix as you add it, so tint in small steps and stop before it goes pastel.
Each variation is its own target (lighter and darker move OKLCH lightness by 0.08; warmer and cooler turn the hue 12 degrees toward red or blue), solved fresh.
#DCB34C
10 parts Yellow Ochre to 1 part Titanium White. Chromilla's model predicts a 99% dry match against the target, scored against its own color model, not a measured paint-out.
#A6821E
2 parts Cadmium Yellow to 1 part Raw Umber. Chromilla's model predicts a 95% dry match against the target, scored against its own color model, not a measured paint-out.
#CE9334
95% Yellow Ochre and 5% Burnt Sienna. Chromilla's model predicts a 99% dry match against the target, scored against its own color model, not a measured paint-out.
#B4A131
94% Yellow Ochre and 6% Viridian Green. Chromilla's model predicts a 97% dry match against the target, scored against its own color model, not a measured paint-out.
Compare acrylic, oil and watercolor for mustard
Open the live mixer with Mustard + oil pre-loaded and calibrate to your tubes.
Deep-dive guide
Common mistakes, per-brand recipes, and the honest limits when the target sits outside what real paint can reach.
Read the guidePigment mixing is subtractive, so small ratio changes matter. The mixer refines this recipe to your brand and updates on the fly.