Lighter Teal
#4795A5
8 parts Titanium White, 3 parts Phthalo Blue and 2 parts Yellow Ochre. Chromilla's model predicts a 99% dry match against the target, scored against its own color model, not a measured paint-out.
To mix teal (#2C7D8C) in oil, use 11 parts Titanium White, 8 parts Phthalo Blue and 1 part Raw Umber. Chromilla's model predicts a 97% dry match against the target, scored against its own color model, not a measured paint-out. Chromilla is a web-based paint color mixer that turns any color, from a photo, the camera or a hex code, into exact paint-tube ratios for acrylic, oil and watercolor, using Kubelka-Munk pigment mixing and aiming at the color after it dries.
Target
Teal
#2C7D8C
Predicted dry result
97% match when dryMix to #347F8E. It dries true to color.
| Paint | Pigment | Parts | Share | 100 ml batch |
|---|---|---|---|---|
| Titanium White | PW6 | 11 | 55% | 55 ml |
| Phthalo Blue | PB15 | 8 | 40% | 40 ml |
| Raw Umber | PBr7 | 1 | 5% | 5 ml |
How we calculated this: Kubelka-Munk pigment mixing, then a per-medium dry shift, scored with CIEDE2000. Method and accuracy benchmark. Last checked August 2026.
Terms used here: Tinting strength, Dry shift, Kubelka-Munk, Delta E (dE2000), Pigment code, Gamut.
A blue-green teal, calibrated so it does not go muddy. This guide gives you the pigment ratios that land on #2C7D8C in oil, using the same solver that powers the Chromilla mixer.
Checked August 2026
Ratios calibrated for oil. Start with the dominant pigment, add the modifiers in the order below, and adjust in 5% steps to your target swatch.
1. Titanium White
PW6
2. Phthalo Blue
PB15
3. Raw Umber
PBr7
Titanium White, Phthalo Blue, and Raw Umber, in roughly a 55:40:5 ratio.
Start with Titanium White at about 55% as your oil base, then work in Phthalo Blue and Raw Umber in the order above. Adjust in 5% steps until the swatch reads #2C7D8C.
Mixing Teal yourself lets you approximate an expensive or hard to find tube from pigments you already own, match Teal across paint brands whose factory tubes differ, and rebuild the exact color when you run out mid painting. The recipe above is the working starting point.
That pigment is a very strong tinter, add it a touch at a time or it will swallow the mix. White cools and chalks a mix as you add it, so tint in small steps and stop before it goes pastel.
Each variation is its own target (lighter and darker move OKLCH lightness by 0.08; warmer and cooler turn the hue 12 degrees toward red or blue), solved fresh.
#4795A5
8 parts Titanium White, 3 parts Phthalo Blue and 2 parts Yellow Ochre. Chromilla's model predicts a 99% dry match against the target, scored against its own color model, not a measured paint-out.
#076574
93% Viridian Green and 7% Phthalo Blue. Chromilla's model predicts a 95% dry match against the target, scored against its own color model, not a measured paint-out.
#347B93
8 parts Viridian Green, 1 part Titanium White and 1 part Phthalo Blue. Chromilla's model predicts a 100% dry match against the target, scored against its own color model, not a measured paint-out.
#347B93
8 parts Viridian Green, 1 part Titanium White and 1 part Phthalo Blue. Chromilla's model predicts a 100% dry match against the target, scored against its own color model, not a measured paint-out.
Compare acrylic, oil and watercolor for teal
Open the live mixer with Teal + oil pre-loaded and calibrate to your tubes.
Deep-dive guide
Common mistakes, per-brand recipes, and the honest limits when the target sits outside what real paint can reach.
Read the guidePigment mixing is subtractive, so small ratio changes matter. The mixer refines this recipe to your brand and updates on the fly.