Lighter Ultramarine Blue
#3E51A6
6 parts Ultramarine Blue, 2 parts Viridian Green and 1 part Titanium White. Chromilla's model predicts a 99% dry match against the target, scored against its own color model, not a measured paint-out.
To mix ultramarine blue (#2A3A8C) in oil, use 93% Ultramarine Blue, 4% Titanium White and 3% Yellow Ochre. Chromilla's model predicts a 99% dry match against the target, scored against its own color model, not a measured paint-out. Chromilla is a web-based paint color mixer that turns any color, from a photo, the camera or a hex code, into exact paint-tube ratios for acrylic, oil and watercolor, using Kubelka-Munk pigment mixing and aiming at the color after it dries.
Target
Ultramarine Blue
#2A3A8C
Predicted dry result
99% match when dryMix to #2B3A8B. It dries true to color.
| Paint | Pigment | Share | 100 ml batch |
|---|---|---|---|
| Ultramarine Blue | PB29 | 93% | 93 ml |
| Titanium White | PW6 | 4% | 4 ml |
| Yellow Ochre | PY43 | 3% | 3 ml |
How we calculated this: Kubelka-Munk pigment mixing, then a per-medium dry shift, scored with CIEDE2000. Method and accuracy benchmark. Last checked August 2026.
Terms used here: Tinting strength, Dry shift, Kubelka-Munk, Delta E (dE2000), Pigment code, Gamut.
A deep violet-leaning blue. Warm, granulating, and endlessly useful. This guide gives you the pigment ratios that land on #2A3A8C in oil, using the same solver that powers the Chromilla mixer.
Checked August 2026
Ratios calibrated for oil. Start with the dominant pigment, add the modifiers in the order below, and adjust in 5% steps to your target swatch.
1. Ultramarine Blue
PB29
2. Titanium White
PW6
3. Yellow Ochre
PY43
Ultramarine Blue, Titanium White, and Yellow Ochre, in roughly a 93:4:3 ratio.
Start with Ultramarine Blue at about 93% as your oil base, then work in Titanium White and Yellow Ochre in the order above. Adjust in 5% steps until the swatch reads #2A3A8C.
Mixing Ultramarine Blue yourself lets you approximate an expensive or hard to find tube from pigments you already own, match Ultramarine Blue across paint brands whose factory tubes differ, and rebuild the exact color when you run out mid painting. The recipe above is the working starting point.
White cools and chalks a mix as you add it, so tint in small steps and stop before it goes pastel.
Each variation is its own target (lighter and darker move OKLCH lightness by 0.08; warmer and cooler turn the hue 12 degrees toward red or blue), solved fresh.
#3E51A6
6 parts Ultramarine Blue, 2 parts Viridian Green and 1 part Titanium White. Chromilla's model predicts a 99% dry match against the target, scored against its own color model, not a measured paint-out.
#192273
3 parts Ultramarine Blue to 1 part Phthalo Blue. Chromilla's model predicts a 92% dry match against the target, scored against its own color model, not a measured paint-out.
#3D348A
9 parts Ultramarine Blue to 1 part Viridian Green. Chromilla's model predicts a 90% dry match against the target, scored against its own color model, not a measured paint-out.
#1C3D8C
7 parts Ultramarine Blue, 4 parts Phthalo Blue and 1 part Titanium White. Chromilla's model predicts a 99% dry match against the target, scored against its own color model, not a measured paint-out.
Open the live mixer with Ultramarine Blue + oil pre-loaded and calibrate to your tubes.
Pigment mixing is subtractive, so small ratio changes matter. The mixer refines this recipe to your brand and updates on the fly.