Lighter Olive Green
#738345
11 parts Viridian Green, 4 parts Burnt Sienna and 2 parts Titanium White. Chromilla's model predicts an 89% dry match against the target, scored against its own color model, not a measured paint-out.
To mix olive green (#5C6B2E) in acrylic, use 3 parts Viridian Green, 1 part Yellow Ochre and 1 part Burnt Sienna. Chromilla's model predicts a 90% dry match against the target, scored against its own color model, not a measured paint-out. Chromilla is a web-based paint color mixer that turns any color, from a photo, the camera or a hex code, into exact paint-tube ratios for acrylic, oil and watercolor, using Kubelka-Munk pigment mixing and aiming at the color after it dries.
Target
Olive Green
#5C6B2E
Predicted dry result
90% match when dryMix to #5C6B2C while wet. It dries to about #566026.
| Paint | Pigment | Parts | Share | 100 ml batch |
|---|---|---|---|---|
| Viridian Green | PG18 | 3 | 59% | 59 ml |
| Yellow Ochre | PY43 | 1 | 21% | 21 ml |
| Burnt Sienna | PBr7 | 1 | 20% | 20 ml |
How we calculated this: Kubelka-Munk pigment mixing, then a per-medium dry shift, scored with CIEDE2000. Method and accuracy benchmark. Last checked August 2026.
Terms used here: Tinting strength, Dry shift, Kubelka-Munk, Delta E (dE2000), Pigment code, Gamut.
A muted yellow-green. The color of dry foliage and worn uniforms. This guide gives you the pigment ratios that land on #5C6B2E in acrylic, using the same solver that powers the Chromilla mixer.
Checked August 2026
Ratios calibrated for acrylic. Start with the dominant pigment, add the modifiers in the order below, and adjust in 5% steps to your target swatch.
1. Viridian Green
PG18
2. Yellow Ochre
PY43
3. Burnt Sienna
PBr7
Viridian Green, Yellow Ochre, and Burnt Sienna, in roughly a 59:21:20 ratio.
Start with Viridian Green at about 59% as your acrylic base, then work in Yellow Ochre and Burnt Sienna in the order above. Adjust in 5% steps until the swatch reads #5C6B2E.
Mixing Olive Green yourself lets you approximate an expensive or hard to find tube from pigments you already own, match Olive Green across paint brands whose factory tubes differ, and rebuild the exact color when you run out mid painting. The recipe above is the working starting point.
Overshooting on Viridian Green is the usual failure, add it in 5% steps and compare against the target between each pass.
Each variation is its own target (lighter and darker move OKLCH lightness by 0.08; warmer and cooler turn the hue 12 degrees toward red or blue), solved fresh.
#738345
11 parts Viridian Green, 4 parts Burnt Sienna and 2 parts Titanium White. Chromilla's model predicts an 89% dry match against the target, scored against its own color model, not a measured paint-out.
#465415
55% Cadmium Yellow, 38% Ultramarine Blue and 7% Burnt Umber. Chromilla's model predicts a 93% dry match against the target, scored against its own color model, not a measured paint-out.
#676725
7 parts Viridian Green, 5 parts Yellow Ochre and 4 parts Burnt Sienna. Chromilla's model predicts a 91% dry match against the target, scored against its own color model, not a measured paint-out.
#4F6E38
6 parts Viridian Green to 1 part Burnt Sienna. Chromilla's model predicts a 90% dry match against the target, scored against its own color model, not a measured paint-out.
Compare acrylic, oil and watercolor for olive green
Open the live mixer with Olive Green + acrylic pre-loaded and calibrate to your tubes.
Deep-dive guide
Common mistakes, per-brand recipes, and the honest limits when the target sits outside what real paint can reach.
Read the guidePigment mixing is subtractive, so small ratio changes matter. The mixer refines this recipe to your brand and updates on the fly.