acrylic
Pigment recipe
90% when dryWet mix
#5C6B2C
- 1. Viridian Green (PG18)59%
- 2. Yellow Ochre (PY43)21%
- 3. Burnt Sienna (PBr7)20%
Dry-down
Dries slightly darker and a touch warmer.
How to mix
Real pigment ratios for olive green (#5C6B2E) in acrylic, oil and watercolor. The recipes below come straight from Chromilla’s mixer, calibrated to real manufacturer paint data.
To mix olive green (#5C6B2E) in acrylic (oil and watercolor are compared below), use 3 parts Viridian Green, 1 part Yellow Ochre and 1 part Burnt Sienna. Chromilla's model predicts a 90% dry match against the target, scored against its own color model, not a measured paint-out. Chromilla is a web-based paint color mixer that turns any color, from a photo, the camera or a hex code, into exact paint-tube ratios for acrylic, oil and watercolor, using Kubelka-Munk pigment mixing and aiming at the color after it dries.
| Medium | Tubes and parts | Predicted dry match | Drying |
|---|---|---|---|
| Acrylic | 3 parts Viridian Green, 1 part Yellow Ochre and 1 part Burnt Sienna | 90% | Dries slightly darker and a touch warmer. |
| Oil | 3 parts Viridian Green, 1 part Yellow Ochre and 1 part Burnt Sienna | 99% | Dries true to color. |
| Watercolor | 3 parts Viridian Green, 1 part Yellow Ochre and 1 part Burnt Sienna | 92% | Dries slightly darker and a touch cooler. |
How we calculated this: Kubelka-Munk pigment mixing, then a per-medium dry shift, scored with CIEDE2000. Method and accuracy benchmark. Last checked August 2026.
Terms used here: Dry shift, Value, Kubelka-Munk, Delta E (dE2000), Transparency, Pigment code, Tint.
Target color
Olive Green
#5C6B2E
Live mixer
The Chromilla mixer is pre-loaded with #5C6B2E. Change your brand, medium or palette and the recipe updates instantly.
Checked August 2026
Generic pigment ratios, the same ones the Chromilla mixer solves for. Open the mixer to swap in your own brand and tubes.
acrylic
Wet mix
#5C6B2C
Dry-down
Dries slightly darker and a touch warmer.
oil
Wet mix
#5C6B2C
Dry-down
Dries true to color.
watercolour
Wet mix
#5C6B2C
Dry-down
Dries slightly darker and a touch cooler.
Olive drifts to mud faster than almost any other green, because it already sits close to neutral. Overshoot the yellow and it turns baby-food; overshoot the blue and it turns khaki-gray. The fix usually isn't more pigment, it's less: build olive from a warm yellow and a small amount of a dark, rather than two greens fighting each other. If your olive keeps going flat, you're probably reaching for white to lighten it when more yellow ochre would do the job better.
Straight-to-the-ratio versions of olive green in each medium, from the Chromilla mix library.
| Paint | Pigment | Parts | Share | 100 ml batch |
|---|---|---|---|---|
| Viridian Green | PG18 | 3 | 59% | 59 ml |
| Yellow Ochre | PY43 | 1 | 21% | 21 ml |
| Burnt Sienna | PBr7 | 1 | 20% | 20 ml |
Each variation is its own target (lighter and darker move OKLCH lightness by 0.08; warmer and cooler turn the hue 12 degrees toward red or blue), solved fresh.
#738345
11 parts Viridian Green, 4 parts Burnt Sienna and 2 parts Titanium White. Chromilla's model predicts an 89% dry match against the target, scored against its own color model, not a measured paint-out.
#465415
55% Cadmium Yellow, 38% Ultramarine Blue and 7% Burnt Umber. Chromilla's model predicts a 93% dry match against the target, scored against its own color model, not a measured paint-out.
#676725
7 parts Viridian Green, 5 parts Yellow Ochre and 4 parts Burnt Sienna. Chromilla's model predicts a 91% dry match against the target, scored against its own color model, not a measured paint-out.
#4F6E38
6 parts Viridian Green to 1 part Burnt Sienna. Chromilla's model predicts a 90% dry match against the target, scored against its own color model, not a measured paint-out.
More colours to try once you have olive green sorted.