Lighter Cobalt Blue
#4364B3
7 parts Ultramarine Blue, 3 parts Titanium White and 1 part Phthalo Blue. Chromilla's model predicts a 93% dry match against the target, scored against its own color model, not a measured paint-out.
To mix cobalt blue (#2E4C99) in watercolor, use 12 parts Ultramarine Blue, 5 parts Phthalo Blue and 3 parts Titanium White. Chromilla's model predicts a 94% dry match against the target, scored against its own color model, not a measured paint-out. Chromilla is a web-based paint color mixer that turns any color, from a photo, the camera or a hex code, into exact paint-tube ratios for acrylic, oil and watercolor, using Kubelka-Munk pigment mixing and aiming at the color after it dries.
Target
Cobalt Blue
#2E4C99
Predicted dry result
94% match when dryMix to #224BA1 while wet. It dries to about #1E4596.
| Paint | Pigment | Parts | Share | 100 ml batch |
|---|---|---|---|---|
| Ultramarine Blue | PB29 | 12 | 59% | 59 ml |
| Phthalo Blue | PB15 | 5 | 26% | 26 ml |
| Titanium White | PW6 | 3 | 15% | 15 ml |
How we calculated this: Kubelka-Munk pigment mixing, then a per-medium dry shift, scored with CIEDE2000. Method and accuracy benchmark. Last checked August 2026.
Terms used here: Tinting strength, Dry shift, Kubelka-Munk, Delta E (dE2000), Pigment code, Gamut.
A pure, mid-value blue. Neutral leaning (neither warm nor cool). This guide gives you the pigment ratios that land on #2E4C99 in watercolor, using the same solver that powers the Chromilla mixer.
Checked August 2026
Ratios calibrated for watercolor. Start with the dominant pigment, add the modifiers in the order below, and adjust in 5% steps to your target swatch.
1. Ultramarine Blue
PB29
2. Phthalo Blue
PB15
3. Titanium White
PW6
Ultramarine Blue, Phthalo Blue, and Titanium White, in roughly a 59:26:15 ratio.
Start with Ultramarine Blue at about 59% as your watercolor base, then work in Phthalo Blue and Titanium White in the order above. Adjust in 5% steps until the swatch reads #2E4C99.
Mixing Cobalt Blue yourself lets you approximate an expensive or hard to find tube from pigments you already own, match Cobalt Blue across paint brands whose factory tubes differ, and rebuild the exact color when you run out mid painting. The recipe above is the working starting point.
That pigment is a very strong tinter, add it a touch at a time or it will swallow the mix. White cools and chalks a mix as you add it, so tint in small steps and stop before it goes pastel.
Each variation is its own target (lighter and darker move OKLCH lightness by 0.08; warmer and cooler turn the hue 12 degrees toward red or blue), solved fresh.
#4364B3
7 parts Ultramarine Blue, 3 parts Titanium White and 1 part Phthalo Blue. Chromilla's model predicts a 93% dry match against the target, scored against its own color model, not a measured paint-out.
#1A3580
8 parts Ultramarine Blue, 4 parts Viridian Green and 1 part Phthalo Blue. Chromilla's model predicts a 96% dry match against the target, scored against its own color model, not a measured paint-out.
#424698
85% Ultramarine Blue, 12% Titanium White and 3% Alizarin Crimson. Chromilla's model predicts a 92% dry match against the target, scored against its own color model, not a measured paint-out.
#2B4D99
3 parts Ultramarine Blue, 2 parts Phthalo Blue and 1 part Titanium White. Chromilla's model predicts a 93% dry match against the target, scored against its own color model, not a measured paint-out.
Open the live mixer with Cobalt Blue + watercolor pre-loaded and calibrate to your tubes.
Pigment mixing is subtractive, so small ratio changes matter. The mixer refines this recipe to your brand and updates on the fly.