Lighter Royal Blue
#4064BA
7 parts Ultramarine Blue, 3 parts Titanium White and 1 part Phthalo Blue. Chromilla's model predicts a 99% dry match against the target, scored against its own color model, not a measured paint-out.
To mix royal blue (#2B4CA0) in oil, use 9 parts Ultramarine Blue, 3 parts Phthalo Blue and 2 parts Titanium White. Chromilla's model predicts a 98% dry match against the target, scored against its own color model, not a measured paint-out. Chromilla is a web-based paint color mixer that turns any color, from a photo, the camera or a hex code, into exact paint-tube ratios for acrylic, oil and watercolor, using Kubelka-Munk pigment mixing and aiming at the color after it dries.
Target
Royal Blue
#2B4CA0
Predicted dry result
98% match when dryMix to #254CA4. It dries true to color.
| Paint | Pigment | Parts | Share | 100 ml batch |
|---|---|---|---|---|
| Ultramarine Blue | PB29 | 9 | 65% | 65 ml |
| Phthalo Blue | PB15 | 3 | 20% | 20 ml |
| Titanium White | PW6 | 2 | 15% | 15 ml |
How we calculated this: Kubelka-Munk pigment mixing, then a per-medium dry shift, scored with CIEDE2000. Method and accuracy benchmark. Last checked August 2026.
Terms used here: Tinting strength, Dry shift, Kubelka-Munk, Delta E (dE2000), Pigment code, Gamut.
A vivid, deep royal blue. This guide gives you the pigment ratios that land on #2B4CA0 in oil, using the same solver that powers the Chromilla mixer.
Checked August 2026
Ratios calibrated for oil. Start with the dominant pigment, add the modifiers in the order below, and adjust in 5% steps to your target swatch.
1. Ultramarine Blue
PB29
2. Phthalo Blue
PB15
3. Titanium White
PW6
Ultramarine Blue, Phthalo Blue, and Titanium White, in roughly a 65:20:15 ratio.
Start with Ultramarine Blue at about 65% as your oil base, then work in Phthalo Blue and Titanium White in the order above. Adjust in 5% steps until the swatch reads #2B4CA0.
Mixing Royal Blue yourself lets you approximate an expensive or hard to find tube from pigments you already own, match Royal Blue across paint brands whose factory tubes differ, and rebuild the exact color when you run out mid painting. The recipe above is the working starting point.
That pigment is a very strong tinter, add it a touch at a time or it will swallow the mix. White cools and chalks a mix as you add it, so tint in small steps and stop before it goes pastel.
Each variation is its own target (lighter and darker move OKLCH lightness by 0.08; warmer and cooler turn the hue 12 degrees toward red or blue), solved fresh.
#4064BA
7 parts Ultramarine Blue, 3 parts Titanium White and 1 part Phthalo Blue. Chromilla's model predicts a 99% dry match against the target, scored against its own color model, not a measured paint-out.
#173486
76% Ultramarine Blue, 21% Phthalo Blue and 3% Titanium White. Chromilla's model predicts a 100% dry match against the target, scored against its own color model, not a measured paint-out.
#42469F
9 parts Ultramarine Blue to 1 part Titanium White. Chromilla's model predicts a 94% dry match against the target, scored against its own color model, not a measured paint-out.
#294CA0
9 parts Ultramarine Blue, 3 parts Phthalo Blue and 2 parts Titanium White. Chromilla's model predicts a 98% dry match against the target, scored against its own color model, not a measured paint-out.
Open the live mixer with Royal Blue + oil pre-loaded and calibrate to your tubes.
Pigment mixing is subtractive, so small ratio changes matter. The mixer refines this recipe to your brand and updates on the fly.