Lighter Olive Skin Tone
#D3A37E
78% Titanium White, 19% Burnt Umber and 3% Cadmium Red. Chromilla's model predicts an 87% dry match against the target, scored against its own color model, not a measured paint-out.
To mix olive skin tone (#B98A66) in acrylic, use 3 parts Titanium White to 2 parts Burnt Umber. Chromilla's model predicts an 88% dry match against the target, scored against its own color model, not a measured paint-out. Chromilla is a web-based paint color mixer that turns any color, from a photo, the camera or a hex code, into exact paint-tube ratios for acrylic, oil and watercolor, using Kubelka-Munk pigment mixing and aiming at the color after it dries.
Target
Olive Skin Tone
#B98A66
Predicted dry result
88% match when dryMix to #BA8A62 while wet. It dries to about #AA7C56.
| Paint | Pigment | Parts | Share | 100 ml batch |
|---|---|---|---|---|
| Titanium White | PW6 | 3 | 61% | 61 ml |
| Burnt Umber | PBr7 | 2 | 39% | 39 ml |
How we calculated this: Kubelka-Munk pigment mixing, then a per-medium dry shift, scored with CIEDE2000. Method and accuracy benchmark. Last checked August 2026.
Terms used here: Tinting strength, Dry shift, Kubelka-Munk, Delta E (dE2000), Pigment code, Gamut.
A muted mid flesh tone with a green-yellow undertone. This guide gives you the pigment ratios that land on #B98A66 in acrylic, using the same solver that powers the Chromilla mixer.
Checked August 2026
Ratios calibrated for acrylic. Start with the dominant pigment, add the modifiers in the order below, and adjust in 5% steps to your target swatch.
1. Titanium White
PW6
2. Burnt Umber
PBr7
Titanium White and Burnt Umber, in roughly a 61:39 ratio.
Start with Titanium White at about 61% as your acrylic base, then work in Burnt Umber in the order above. Adjust in 5% steps until the swatch reads #B98A66.
Mixing Olive Skin Tone yourself lets you approximate an expensive or hard to find tube from pigments you already own, match Olive Skin Tone across paint brands whose factory tubes differ, and rebuild the exact color when you run out mid painting. The recipe above is the working starting point.
White cools and chalks a mix as you add it, so tint in small steps and stop before it goes pastel.
Each variation is its own target (lighter and darker move OKLCH lightness by 0.08; warmer and cooler turn the hue 12 degrees toward red or blue), solved fresh.
#D3A37E
78% Titanium White, 19% Burnt Umber and 3% Cadmium Red. Chromilla's model predicts an 87% dry match against the target, scored against its own color model, not a measured paint-out.
#A0724F
3 parts Burnt Umber to 2 parts Titanium White. Chromilla's model predicts an 88% dry match against the target, scored against its own color model, not a measured paint-out.
#BD876D
6 parts Titanium White, 3 parts Viridian Green and 2 parts Cadmium Red. Chromilla's model predicts an 88% dry match against the target, scored against its own color model, not a measured paint-out.
#BD876D
6 parts Titanium White, 3 parts Viridian Green and 2 parts Cadmium Red. Chromilla's model predicts an 88% dry match against the target, scored against its own color model, not a measured paint-out.
Open the live mixer with Olive Skin Tone + acrylic pre-loaded and calibrate to your tubes.
Pigment mixing is subtractive, so small ratio changes matter. The mixer refines this recipe to your brand and updates on the fly.