Lighter Payne's Gray
#556272
6 parts Ultramarine Blue, 5 parts Titanium White and 1 part Ivory Black. Chromilla's model predicts a 97% dry match against the target, scored against its own color model, not a measured paint-out.
To mix payne's gray (#3F4C5B) in oil, use 5 parts Ultramarine Blue, 1 part Titanium White and 1 part Burnt Umber. Chromilla's model predicts a 99% dry match against the target, scored against its own color model, not a measured paint-out. Chromilla is a web-based paint color mixer that turns any color, from a photo, the camera or a hex code, into exact paint-tube ratios for acrylic, oil and watercolor, using Kubelka-Munk pigment mixing and aiming at the color after it dries.
Target
Payne's Grey
#3F4C5B
Predicted dry result
99% match when dryMix to #404D5C. It dries true to color.
| Paint | Pigment | Parts | Share | 100 ml batch |
|---|---|---|---|---|
| Ultramarine Blue | PB29 | 5 | 72% | 72 ml |
| Titanium White | PW6 | 1 | 14% | 14 ml |
| Burnt Umber | PBr7 | 1 | 14% | 14 ml |
How we calculated this: Kubelka-Munk pigment mixing, then a per-medium dry shift, scored with CIEDE2000. Method and accuracy benchmark. Last checked August 2026.
Terms used here: Tinting strength, Dry shift, Kubelka-Munk, Delta E (dE2000), Pigment code, Gamut.
A deep, atmospheric blue-gray. The go-to non-black shadow. This guide gives you the pigment ratios that land on #3F4C5B in oil, using the same solver that powers the Chromilla mixer.
Checked August 2026
Ratios calibrated for oil. Start with the dominant pigment, add the modifiers in the order below, and adjust in 5% steps to your target swatch.
1. Ultramarine Blue
PB29
2. Titanium White
PW6
3. Burnt Umber
PBr7
Ultramarine Blue, Titanium White, and Burnt Umber, in roughly a 72:14:14 ratio.
Start with Ultramarine Blue at about 72% as your oil base, then work in Titanium White and Burnt Umber in the order above. Adjust in 5% steps until the swatch reads #3F4C5B.
Mixing Payne's Grey yourself lets you approximate an expensive or hard to find tube from pigments you already own, match Payne's Grey across paint brands whose factory tubes differ, and rebuild the exact color when you run out mid painting. The recipe above is the working starting point.
White cools and chalks a mix as you add it, so tint in small steps and stop before it goes pastel.
Each variation is its own target (lighter and darker move OKLCH lightness by 0.08; warmer and cooler turn the hue 12 degrees toward red or blue), solved fresh.
#556272
6 parts Ultramarine Blue, 5 parts Titanium White and 1 part Ivory Black. Chromilla's model predicts a 97% dry match against the target, scored against its own color model, not a measured paint-out.
#2A3745
6 parts Ultramarine Blue, 3 parts Viridian Green and 1 part Burnt Umber. Chromilla's model predicts a 99% dry match against the target, scored against its own color model, not a measured paint-out.
#424B5C
94% Viridian Green and 6% Alizarin Crimson. Chromilla's model predicts a 95% dry match against the target, scored against its own color model, not a measured paint-out.
#424B5C
94% Viridian Green and 6% Alizarin Crimson. Chromilla's model predicts a 95% dry match against the target, scored against its own color model, not a measured paint-out.
Open the live mixer with Payne's Grey + oil pre-loaded and calibrate to your tubes.
Pigment mixing is subtractive, so small ratio changes matter. The mixer refines this recipe to your brand and updates on the fly.