Lighter Dark Brown
#51382B
38% Yellow Ochre, 34% Cadmium Red and 28% Ultramarine Blue. Chromilla's model predicts a 98% dry match against the target, scored against its own color model, not a measured paint-out.
To mix dark brown (#3B2417) in oil, use 4 parts Raw Umber, 2 parts Alizarin Crimson and 1 part Ivory Black. Chromilla's model predicts a 99% dry match against the target, scored against its own color model, not a measured paint-out. Chromilla is a web-based paint color mixer that turns any color, from a photo, the camera or a hex code, into exact paint-tube ratios for acrylic, oil and watercolor, using Kubelka-Munk pigment mixing and aiming at the color after it dries.
Target
Dark Brown
#3B2417
Predicted dry result
99% match when dryMix to #3A2316. It dries true to color.
| Paint | Pigment | Parts | Share | 100 ml batch |
|---|---|---|---|---|
| Raw Umber | PBr7 | 4 | 56% | 56 ml |
| Alizarin Crimson | PR83 | 2 | 29% | 29 ml |
| Ivory Black | PBk9 | 1 | 15% | 15 ml |
How we calculated this: Kubelka-Munk pigment mixing, then a per-medium dry shift, scored with CIEDE2000. Method and accuracy benchmark. Last checked August 2026.
Terms used here: Tinting strength, Dry shift, Kubelka-Munk, Delta E (dE2000), Pigment code, Gamut.
A deep, warm dark brown without going muddy. This guide gives you the pigment ratios that land on #3B2417 in oil, using the same solver that powers the Chromilla mixer.
Checked August 2026
Ratios calibrated for oil. Start with the dominant pigment, add the modifiers in the order below, and adjust in 5% steps to your target swatch.
1. Raw Umber
PBr7
2. Alizarin Crimson
PR83
3. Ivory Black
PBk9
Raw Umber, Alizarin Crimson, and Ivory Black, in roughly a 56:29:15 ratio.
Start with Raw Umber at about 56% as your oil base, then work in Alizarin Crimson and Ivory Black in the order above. Adjust in 5% steps until the swatch reads #3B2417.
Mixing Dark Brown yourself lets you approximate an expensive or hard to find tube from pigments you already own, match Dark Brown across paint brands whose factory tubes differ, and rebuild the exact color when you run out mid painting. The recipe above is the working starting point.
Reaching for more black to deepen it kills the chroma, add the dark modifier already in the recipe instead.
Each variation is its own target (lighter and darker move OKLCH lightness by 0.08; warmer and cooler turn the hue 12 degrees toward red or blue), solved fresh.
#51382B
38% Yellow Ochre, 34% Cadmium Red and 28% Ultramarine Blue. Chromilla's model predicts a 98% dry match against the target, scored against its own color model, not a measured paint-out.
#261105
7 parts Burnt Sienna, 5 parts Alizarin Crimson and 3 parts Ivory Black. Chromilla's model predicts a 93% dry match against the target, scored against its own color model, not a measured paint-out.
#3C231B
4 parts Cadmium Red to 1 part Ivory Black. Chromilla's model predicts a 98% dry match against the target, scored against its own color model, not a measured paint-out.
#3C231B
4 parts Cadmium Red to 1 part Ivory Black. Chromilla's model predicts a 98% dry match against the target, scored against its own color model, not a measured paint-out.
Open the live mixer with Dark Brown + oil pre-loaded and calibrate to your tubes.
New to browns? See what colors make brown, in plain terms.
Pigment mixing is subtractive, so small ratio changes matter. The mixer refines this recipe to your brand and updates on the fly.