Lighter Blush Pink
#FDD8DB
91% Titanium White, 6% Yellow Ochre and 3% Alizarin Crimson. Chromilla's model predicts an 85% dry match against the target, scored against its own color model, not a measured paint-out.
To mix blush pink (#E7BCC0) in oil, use 89% Titanium White, 5% Yellow Ochre, 3% Alizarin Crimson and 3% Viridian Green. Chromilla's model predicts a 97% dry match against the target, scored against its own color model, not a measured paint-out. Chromilla is a web-based paint color mixer that turns any color, from a photo, the camera or a hex code, into exact paint-tube ratios for acrylic, oil and watercolor, using Kubelka-Munk pigment mixing and aiming at the color after it dries.
Target
Blush Pink
#E7BCC0
Predicted dry result
97% match when dryMix to #E7BFC4. It dries true to color.
| Paint | Pigment | Share | 100 ml batch |
|---|---|---|---|
| Titanium White | PW6 | 89% | 89 ml |
| Yellow Ochre | PY43 | 5% | 5 ml |
| Alizarin Crimson | PR83 | 3% | 3 ml |
| Viridian Green | PG18 | 3% | 3 ml |
How we calculated this: Kubelka-Munk pigment mixing, then a per-medium dry shift, scored with CIEDE2000. Method and accuracy benchmark. Last checked August 2026.
Terms used here: Tinting strength, Dry shift, Kubelka-Munk, Delta E (dE2000), Pigment code, Gamut.
A pale, soft blush pink. This guide gives you the pigment ratios that land on #E7BCC0 in oil, using the same solver that powers the Chromilla mixer.
Checked August 2026
Ratios calibrated for oil. Start with the dominant pigment, add the modifiers in the order below, and adjust in 5% steps to your target swatch.
1. Titanium White
PW6
2. Yellow Ochre
PY43
3. Alizarin Crimson
PR83
4. Viridian Green
PG18
Titanium White, Yellow Ochre, Alizarin Crimson, and Viridian Green, in roughly a 89:5:3:3 ratio.
Start with Titanium White at about 89% as your oil base, then work in Yellow Ochre, Alizarin Crimson, and Viridian Green in the order above. Adjust in 5% steps until the swatch reads #E7BCC0.
Mixing Blush Pink yourself lets you approximate an expensive or hard to find tube from pigments you already own, match Blush Pink across paint brands whose factory tubes differ, and rebuild the exact color when you run out mid painting. The recipe above is the working starting point.
White cools and chalks a mix as you add it, so tint in small steps and stop before it goes pastel.
Each variation is its own target (lighter and darker move OKLCH lightness by 0.08; warmer and cooler turn the hue 12 degrees toward red or blue), solved fresh.
#FDD8DB
91% Titanium White, 6% Yellow Ochre and 3% Alizarin Crimson. Chromilla's model predicts an 85% dry match against the target, scored against its own color model, not a measured paint-out.
#CDA3A7
79% Titanium White, 12% Viridian Green, 5% Alizarin Crimson and 4% Burnt Umber. Chromilla's model predicts a 98% dry match against the target, scored against its own color model, not a measured paint-out.
#E8BDB9
94% Titanium White, 3% Alizarin Crimson and 3% Burnt Sienna. Chromilla's model predicts a 94% dry match against the target, scored against its own color model, not a measured paint-out.
#E5BCC7
90% Titanium White, 4% Viridian Green, 3% Alizarin Crimson and 3% Yellow Ochre. Chromilla's model predicts a 97% dry match against the target, scored against its own color model, not a measured paint-out.
Open the live mixer with Blush Pink + oil pre-loaded and calibrate to your tubes.
Pigment mixing is subtractive, so small ratio changes matter. The mixer refines this recipe to your brand and updates on the fly.