Lighter Warm Gray
#A89D90
88% Titanium White, 7% Burnt Umber and 5% Ivory Black. Chromilla's model predicts an 88% dry match against the target, scored against its own color model, not a measured paint-out.
To mix warm gray (#8F8578) in acrylic, use 9 parts Titanium White, 1 part Ivory Black and 1 part Burnt Umber. Chromilla's model predicts an 88% dry match against the target, scored against its own color model, not a measured paint-out. Chromilla is a web-based paint color mixer that turns any color, from a photo, the camera or a hex code, into exact paint-tube ratios for acrylic, oil and watercolor, using Kubelka-Munk pigment mixing and aiming at the color after it dries.
Target
Warm Grey
#8F8578
Predicted dry result
88% match when dryMix to #8F8578 while wet. It dries to about #84786A.
| Paint | Pigment | Parts | Share | 100 ml batch |
|---|---|---|---|---|
| Titanium White | PW6 | 9 | 81% | 81 ml |
| Ivory Black | PBk9 | 1 | 10% | 10 ml |
| Burnt Umber | PBr7 | 1 | 9% | 9 ml |
How we calculated this: Kubelka-Munk pigment mixing, then a per-medium dry shift, scored with CIEDE2000. Method and accuracy benchmark. Last checked August 2026.
Terms used here: Tinting strength, Dry shift, Kubelka-Munk, Delta E (dE2000), Pigment code, Gamut.
A gray with a soft brown-orange lean. Feels like weathered stone. This guide gives you the pigment ratios that land on #8F8578 in acrylic, using the same solver that powers the Chromilla mixer.
Checked August 2026
Ratios calibrated for acrylic. Start with the dominant pigment, add the modifiers in the order below, and adjust in 5% steps to your target swatch.
1. Titanium White
PW6
2. Ivory Black
PBk9
3. Burnt Umber
PBr7
Titanium White, Ivory Black, and Burnt Umber, in roughly a 81:10:9 ratio.
Start with Titanium White at about 81% as your acrylic base, then work in Ivory Black and Burnt Umber in the order above. Adjust in 5% steps until the swatch reads #8F8578.
Mixing Warm Grey yourself lets you approximate an expensive or hard to find tube from pigments you already own, match Warm Grey across paint brands whose factory tubes differ, and rebuild the exact color when you run out mid painting. The recipe above is the working starting point.
Reaching for more black to deepen it kills the chroma, add the dark modifier already in the recipe instead. White cools and chalks a mix as you add it, so tint in small steps and stop before it goes pastel.
Each variation is its own target (lighter and darker move OKLCH lightness by 0.08; warmer and cooler turn the hue 12 degrees toward red or blue), solved fresh.
#A89D90
88% Titanium White, 7% Burnt Umber and 5% Ivory Black. Chromilla's model predicts an 88% dry match against the target, scored against its own color model, not a measured paint-out.
#776E61
5 parts Titanium White, 1 part Ivory Black and 1 part Burnt Umber. Chromilla's model predicts a 90% dry match against the target, scored against its own color model, not a measured paint-out.
#918479
84% Titanium White, 10% Ivory Black and 6% Cadmium Red. Chromilla's model predicts an 89% dry match against the target, scored against its own color model, not a measured paint-out.
#918479
84% Titanium White, 10% Ivory Black and 6% Cadmium Red. Chromilla's model predicts an 89% dry match against the target, scored against its own color model, not a measured paint-out.
Compare acrylic, oil and watercolor for warm gray
Open the live mixer with Warm Grey + acrylic pre-loaded and calibrate to your tubes.
Deep-dive guide
Common mistakes, per-brand recipes, and the honest limits when the target sits outside what real paint can reach.
Read the guidePigment mixing is subtractive, so small ratio changes matter. The mixer refines this recipe to your brand and updates on the fly.