Lighter Sepia
#604B39
76% Viridian Green, 21% Cadmium Red and 3% Titanium White. Chromilla's model predicts a 93% dry match against the target, scored against its own color model, not a measured paint-out.
To mix sepia (#4A3624) in acrylic, use 10 parts Cadmium Red, 9 parts Yellow Ochre and 1 part Phthalo Blue. Chromilla's model predicts a 96% dry match against the target, scored against its own color model, not a measured paint-out. Chromilla is a web-based paint color mixer that turns any color, from a photo, the camera or a hex code, into exact paint-tube ratios for acrylic, oil and watercolor, using Kubelka-Munk pigment mixing and aiming at the color after it dries.
Target
Sepia
#4A3624
Predicted dry result
96% match when dryMix to #4A3624 while wet. It dries to about #46311E.
| Paint | Pigment | Parts | Share | 100 ml batch |
|---|---|---|---|---|
| Cadmium Red | PR108 | 10 | 52% | 52 ml |
| Yellow Ochre | PY43 | 9 | 43% | 43 ml |
| Phthalo Blue | PB15 | 1 | 5% | 5 ml |
How we calculated this: Kubelka-Munk pigment mixing, then a per-medium dry shift, scored with CIEDE2000. Method and accuracy benchmark. Last checked August 2026.
Terms used here: Tinting strength, Dry shift, Kubelka-Munk, Delta E (dE2000), Pigment code, Gamut.
A soft, warm dark brown. Slightly cooler than Van Dyke. This guide gives you the pigment ratios that land on #4A3624 in acrylic, using the same solver that powers the Chromilla mixer.
Checked August 2026
Ratios calibrated for acrylic. Start with the dominant pigment, add the modifiers in the order below, and adjust in 5% steps to your target swatch.
1. Cadmium Red
PR108
2. Yellow Ochre
PY43
3. Phthalo Blue
PB15
Cadmium Red, Yellow Ochre, and Phthalo Blue, in roughly a 52:43:5 ratio.
Start with Cadmium Red at about 52% as your acrylic base, then work in Yellow Ochre and Phthalo Blue in the order above. Adjust in 5% steps until the swatch reads #4A3624.
Mixing Sepia yourself lets you approximate an expensive or hard to find tube from pigments you already own, match Sepia across paint brands whose factory tubes differ, and rebuild the exact color when you run out mid painting. The recipe above is the working starting point.
That pigment is a very strong tinter, add it a touch at a time or it will swallow the mix.
Each variation is its own target (lighter and darker move OKLCH lightness by 0.08; warmer and cooler turn the hue 12 degrees toward red or blue), solved fresh.
#604B39
76% Viridian Green, 21% Cadmium Red and 3% Titanium White. Chromilla's model predicts a 93% dry match against the target, scored against its own color model, not a measured paint-out.
#352210
77% Burnt Sienna, 13% Ivory Black and 10% Alizarin Crimson. Chromilla's model predicts a 96% dry match against the target, scored against its own color model, not a measured paint-out.
#4C3527
5 parts Cadmium Red, 4 parts Ultramarine Blue and 4 parts Yellow Ochre. Chromilla's model predicts a 96% dry match against the target, scored against its own color model, not a measured paint-out.
#4C3527
5 parts Cadmium Red, 4 parts Ultramarine Blue and 4 parts Yellow Ochre. Chromilla's model predicts a 96% dry match against the target, scored against its own color model, not a measured paint-out.
Open the live mixer with Sepia + acrylic pre-loaded and calibrate to your tubes.
New to browns? See what colors make brown, in plain terms.
Pigment mixing is subtractive, so small ratio changes matter. The mixer refines this recipe to your brand and updates on the fly.